The perception of women as the number two role in society continues to this day. This knowledge has an impact on women's inferiority and subordination. In addition, the conditions of the Covid-19 pandemic have increased the workload for women at home. The workload for women has increased threefold, including earning a living in it. The woman breadwinner in Kampung Kue Rungkut Lor II experienced this during the pandemic. This article uses qualitative research methods and a phenomenological approach, in order to obtain data on the quality of life in the Kampung Kue Rungkut Lor II community. The purpose of this study was to determine descriptively the condition of women breadwinners during the pandemic. As a result, the “Pembatasan Sosial Berskala Besar” (PSBB) affected the economic conditions in the Kampung Kue Rungkut Lor II community, and women also experienced three times more workload than men at home. The pandemic has actually added to the exploitation and oppression of women in the Kampung Kue Rungkut Lor II community. Therefore, it is necessary to have further research on the quality of life of women breadwinners in Kampung Kue Rungkut Lor II before the pandemic to find out the differences in the quality of life of women breadwinners in the same location.

YouTube is a digital platform that allows content creators to stream their videos in exchange for money earned through the YouTube Partner Program mechanism, motivates many people to join YouTube. However, what they do not realize is the hidden effect YouTube brings in the form of alienation experienced by YouTube content creators as digital labour. This article discusses this phenomenon of alienation experienced by digital labours. Using a qualitative approach with a descriptive research design, it offers a narrative research strategy to examine the narrative and discourse of alienation of content creators on YouTube. The unit of analysis of the study is the content of YouTube creators as digital labour. The findings show that YouTube is mainly a vehicle used by digital capitalism for the sake of profit accumulated by exploiting content creators from the videos they make. Content creators receive disproportionate or even no financial compensation from YouTube for the videos they produce for YouTube. As a result, YouTube content creators as digital labour experienced alienation from their work, their work activities, from themselves as a human species and from other humans.

Technological developments in society are separate space into two forms, real space and virtual space. The two meet each other when either individuals or communities use virtual space. Foucault described space to be three forms: dystopia, utopia, and heterotopia. This article aims to explain Instagram as virtual space that intersects real space, forming other spaces in the process. This article uses the perspective of the sociology of space and place while also using Foucault’s theory of other space. This study used the qualitative research method with a discourse analysis approach. The finding of this article is that there are six heterotopia principles contained in Instagram’s features. The results, Instagram forms other space beyond the activity of uploading photos or videos. Instagram as a real space becomes biased because of heterotopia. Individuals interpret Instagram differently as a place to share. On the contrary, when sharing activities, other individuals may use it for more than just sharing. Instagram has changed its space due to a shift in place use. Instagram can create other spaces besides its original function of uploading photos or videos through the other features on Instagram.

Many things change in society as a result of being influenced by technology, one of which is social movements. Increasingly sophisticated technology can drive or present social movements in society. Based on these conditions, this article examines the existence of technology that can produce a social movement in society. In addition, this article uses social solidarity theory; mechanical and organic Durkheim, with a view to seeing the solidarity that appears in social movements in the digital era. This article uses a qualitative research method with a narrative research approach. The result is that social movements in the digital era only prioritize mechanical solidarity, without ensuring equal distribution of awareness of the individuals or groups involved. On the other hand, a social movement in the digital era requires organic solidarity to be able to maximize the goals of social movements.