Using an autopsychographic approach as advocated by Yuan and Hickman, this article demonstrates the ways in which love and horror are implicated in one another during the experience of grief at the loss of a companion animal. The relationship between the human and the companion animal is explored through Lacan’s understanding of love premised on lack and an ethical relationship to the lack in the other. When that other dies, horror may be an intrusive emotion premised on a feeling of the uncanny with the familiar becoming unfamiliar. These experiences are then rearticulated in the context of the human–animal relationship through psychoanalytic and existential themes, arguing that the loss of such a relationship needs to be appreciated in theorizations about grief and meaning within the humanistic tradition.
Modern feminist movements run the risk of being appropriated by capitalist agenda and commodified for mass appeal, thus stripping them of their revolutionary potential. I would propose that in order for feminism to challenge this, movements may want to consider the subversion of subjectivity. Deleuze and Guattari's notions of becoming-animal and becoming-woman emphasise a subjectivity not confined by rigid identity, such as man/woman. However, feminists have challenged this theory, suggesting it is difficult to both fight for and dispel the very same notion, that is, woman. I argue that in first considering the feminine subject via the Lacanian understanding of ‘Woman’, it can be argued that feminine subjects can engage with becoming-animal to destabilise the notion of ‘Woman’. Riot Grrls, FEMEN and Pussy Riot all demonstrate tactics which could be said to utilise becoming-animal and have had varying success in avoiding commodification.
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