Two models have been implemented for calculating the thermal radiation emitted at the ingot top in the VAR process, namely a crude model that considers only radiative heat transfer between the free surface and electrode tip and a more detailed model that describes all radiative exchanges between the ingot, electrode and crucible wall using a radiosity method.From the results of the second model, it is found that the radiative heat flux at the ingot top may depend heavily on the arc gap length and the electrode radius, but remains almost unaffected by variations of the electrode height. Both radiation models have been integrated into a CFD numerical code that simulates the growth and solidification of a VAR ingot. The simulation of a Ti-6-4 alloy melt shows that use of the detailed radiation model leads to some significant modification of the simulation results as compared to the simple model. This is especially true during the hot-topping phase, where the top radiation plays an increasingly important role as compared to the arc energy input. Thus, whereas the crude model has the advantage of its simplicity, use of the detailed model should be preferred.
Quels sont les nouveaux modèles des industries culturelles ? Pour contribuer à la réponse, nous étudions un cas qui s’avère à la fois singulier et révélateur d’une nouvelle organisation de la production artistique. Dans une démarche ethnographique, nous construisons notre contribution sur une étude de cas intrinsèque. L’entreprise c.H-D art production est spécialisée dans la mise en œuvre de techniques innovantes associées à des savoir-faire de construction pour la réalisation d’œuvres dites monumentales. L’étude de ce cas nous permet de repérer l’émergence de nouvelles formes de collaboration et de nouveaux modes de production dans le contexte particulier des arts plastiques.
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