A rare example of a contemporary climate-change novel, Ben Lerner's 10:04 joins reflections on our increasingly unrecognisable planet with a remarkably realist attention to everyday life. This paper examines three aspects of the book's environmentally inflected realism in more detail. In response to Adam Trexler's account of Anthropocene fiction, it begins by examining Lerner's expansive representation of global commodities and planetary memorials. Turning from objects to subjects, the paper subsequently enlists Roland Barthes's late work on reference to describe Lerner's attention to weird weather and its destabilising effects on our bodies and epiphanies. The analysis concludes with a discussion of the social infrastructure underlying the circulation of objects and subjects, highlighting the novel's emphasis on the community-building as well as resource-depleting dimensions of our petromodernity. Via these three steps, the paper demonstrates, first, the importance of a newly expansive mode of cultural memory, related to capitalism, weather and energy, and second, that not just science fiction but also modified forms of realism may play an important role in cultural responses to climate change.
This paper examines how contemporary works of fiction and nonfiction reflect on anticipated cases of climate dislocation. Building on existing research about migrant agency, climate fiction, and human rights, it traces the contours of climate migration discourse before analyzing how three twenty-first-century novels enable us to reimagine the “great displacement” beyond simplistic militarized and humanitarian frames. Zooming in on stories by Mohsin Hamid, John Lanchester, and Margaret Drabble that envision hypothetical calamities while responding to present-day refugee “crises”, this paper explains how these texts interrogate apocalyptic narratives by demilitarizing borderscapes, exploring survivalist mindsets, and interrogating shallow appeals to empathy.
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