We present Generative Adversarial Capsule Network (Cap-suleGAN), a framework that uses capsule networks (CapsNets) instead of the standard convolutional neural networks (CNNs) as discriminators within the generative adversarial network (GAN) setting, while modeling image data. We provide guidelines for designing CapsNet discriminators and the updated GAN objective function, which incorporates the CapsNet margin loss, for training CapsuleGAN models. We show that CapsuleGAN outperforms convolutional-GAN at modeling image data distribution on MNIST and CIFAR-10 datasets, evaluated on the generative adversarial metric and at semi-supervised image classification.
Real world multimedia data is o en composed of multiple modalities such as an image or a video with associated text (e.g. captions, user comments, etc.) and metadata. Such multimodal data packages are prone to manipulations, where a subset of these modalities can be altered to misrepresent or repurpose data packages, with possible malicious intent. It is, therefore, important to develop methods to assess or verify the integrity of these multimedia packages. Using computer vision and natural language processing methods to directly compare the image (or video) and the associated caption to verify the integrity of a media package is only possible for a limited set of objects and scenes. In this paper, we present a novel deep learning-based approach for assessing the semantic integrity of multimedia packages containing images and captions, using a reference set of multimedia packages. We construct a joint embedding of images and captions with deep multimodal representation learning on the reference dataset in a framework that also provides image-caption consistency scores (ICCSs). e integrity of query media packages is assessed as the inlierness of the query ICCSs with respect to the reference dataset. We present the MultimodAl Information Manipulation dataset (MAIM), a new dataset of media packages from Flickr, which we make available to the research community. We use both the newly created dataset as well as Flickr30K and MS COCO datasets to quantitatively evaluate our proposed approach. e reference dataset does not contain unmanipulated versions of tampered query packages. Our method is able to achieve F 1 scores of 0.75, 0.89 and 0.94 on MAIM, Flickr30K and MS COCO, respectively, for detecting semantically incoherent media packages. ACM Reference format:
Image repurposing is a commonly used method for spreading misinformation on social media and online forums, which involves publishing untampered images with modified metadata to create rumors and further propaganda. While manual verification is possible, given vast amounts of verified knowledge available on the internet, the increasing prevalence and ease of this form of semantic manipulation call for the development of robust automatic ways of assessing the semantic integrity of multimedia data. In this paper, we present a novel method for image repurposing detection that is based on the real-world adversarial interplay between a bad actor who repurposes images with counterfeit metadata and a watchdog who verifies the semantic consistency between images and their accompanying metadata, where both players have access to a reference dataset of verified content, which they can use to achieve their goals. The proposed method exhibits state-of-the-art performance on location-identity, subject-identity and painting-artist verification, showing its efficacy across a diverse set of scenarios.
We propose a novel approach to achieving invariance for deep neural networks in the form of inducing amnesia to unwanted factors of data through a new adversarial forgetting mechanism. We show that the forgetting mechanism serves as an information-bottleneck, which is manipulated by the adversarial training to learn invariance to unwanted factors. Empirical results show that the proposed framework achieves state-of-the-art performance at learning invariance in both nuisance and bias settings on a diverse collection of datasets and tasks.
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