Bu çalışma, günümüzde benliğin ve mahremiyetin sosyal medya ve ağlardaki sunumu sorunsalını ele almaktadır. Bunu yaparken Ervin Goffman"ın sunduğu kuramsal ve kavramsal çerçeveden yararlanmaktadır. Bu bağlamda çalışma, günümüzde benliğin ve mahremiyetin sosyal medya ve ağlardaki sunumu ile gerçeklikteki halleri arasında önemli farklılıklar ve gerilimler olduğunu savunmaktadır. Çalışma, sosyal medya platformlarının ve kullanıcılarının benliklerini başkalarına sunma arzusu içinde olduklarını göstermektedir. Bu arzuyu karşılama doğrultusunda insanlar kendilerini çevrim içi dünyalardaki benlikleri ile "gerçek dünya"daki benliklerini sunarken sıklıkla manipülatif stratejiler izlemektedirler. İnsanın sosyal davranışlarının ve sosyal ilişkilerinin sonucu olarak, daha geniş toplumsal çevreler tarafından kabul görme ve takdir edilme ihtiyacından kaynaklanan iyi ve olumlu izlenimler yaratma niyeti, bireylerin benliklerini çevrimiçi ortamda en uygun şekilde sunma taktiklerini kullanmalarına yol açabilmektedir. Sosyal ağlar, bu hedeflere ulaşmak için benlik sunumları için oldukça çeşitlenen seçenekler sunmaktadır. Ancak bu her zaman istenilen sonuçlara ulaşılmasını sağlamamakta ve istenmeyen olumsuz izlenimler edinilmesi gibi sonuçlara yol açabilmektedir. Bu durum hem bireysel hem de toplumsal ilişkilere ve etkileşimlere zarar vererek yanılsamalar üzerine kurulu bir yaşam sürdürülmesine neden olmaktadır.
The virus called covid-19, which emerged in the last months of 2019 in Wuhan, China's Hubei province, has affected the world. Due to the virus, which has a high human-to-human contagion, people with decreased social activities all over the world have entered a new life order in which they are forced to stay at their homes. With this new order, the use of technology has expanded in order to satisfy the desire to socialize, which is a necessity of human life. During the pandemic period, it was observed that video calls were used more to get rid of the loneliness and the monotony created by social isolation; the use of social media tool sand the duration of watching movies/ series on new media platforms or televisions increased. The effects of this great social life change on popular culture have been in evitable. Television series, the most important tool in spreading popular culture in Turkey, continued to be shot with mobile phone cameras although the work on the film sets was stopped. The first example of this kind of series was the series named "Jet Sosyete (Jet Society)", which was prepared to be broadcast by making some changes in the script in order to complete the unfinished shots. However, with the realization that the isolation process caused by the pandemic will be prolonged, the succeeding episode of the serials was recorded in history as the first episode of the series that the actors shot with their own cellphone cameras. The main purpose of this research is to reveal how the media, which produces popular culture products, performs the function of transmitting information through defense mechanisms that arise in unpredictable situations such as pandemics. This research will contribute to the literature in terms of describing the defense mechanisms that emerge during a health-related crisis, on the one hand, and how the media reflects the reflections of this crisis on popular culture, on the other. However, it is thought that it would be appropriate to investigate the information-providing function of the mass media during a pandemic with important consequences. In this study, there flections of the covid-19 pandemic caused by the new type of coronavirus on popular culture were examined using the semiotic method in the "Jet Society" series, within the frame work of defense mechanisms. In the series, information was given and warnings were made through dialogues, and the audience was asked to identify themselves with the characters in order to convey the message that they were not alone in that process. In the series, it is seen that each character uses a different or similar defense mechanism to overcome the crisis that occurs with the epidemic. In the context of these defense mechanisms, the characters conveyed information about covid-19 to the audience, expressed the mistakes made, and gave messages were to be more hopeful and calm. In doing so, it is seen that the popular culture products have the advantage of being simple and comprehensible. The defense mechanisms of the characters of the series we...
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