This review focuses on recent research literature on the use of Semantic Web Technologies (SWT) in city planning. The review foregrounds representational, evaluative, projective, and synthetical meta-practices as constituent practices of city planning. We structure our review around these four meta-practices that we consider fundamental to those processes. We find that significant research exists in all four metapractices. Linking across domains by combining various methods of semantic knowledge generation, processing, and management is necessary to bridge gaps between these meta-practices and will enable future Semantic City Planning Systems.
This article investigates the intersection and convergence of Smart Cities and Creative Cities that emerge with the availability of social media data, technology—smart technologies—and the shifting mode of cultural production—creative economies—forming a new nexus of Smart-Cultural Cities. It starts with a short review of literature surrounding Smart Cities and Creative Cities to establish domain criteria on Smart-Cultural Cities for Singapore. The article draws on a database of actors from authorities, industries, academia, and artists established by the research community in Singapore. Actors and domains are described using bipartite graphs and then analyzed by solving a deterministic optimization problem rather than computing a statistic. The result of this analysis reveals new clusters, nodes, and connections in the actor–domain network of the Singapore Smart-Cultural Cities discourse. The identified clusters are called “Urban Scenario Makers”, “Digital Cultural Transformers” and “Public Engagers”. The method gives significant insights on the number of clusters, the composition of each cluster, and the relationship between clusters that serve to locate and describe a next iteration of the Smart City that focusses on human interaction, culture, and technology.
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