Taboos, since the dawn of time, have been used by human societies to regulate behavior and discourse. African writers are aware of these codes that regulate conduct, supposedly in the name of the common good. The article discusses taboo adherence and taboo violation in respect of death, madness, sex, and incest in Europhone African literature and concludes that African writers largely display a certain dynamism in their reaction to taboos.
The article seeks to use the pact factor to interpret Kourouma's ground-breaking novel, Les Soleils des indépendances. The sinister figure of the predatory trickster is discernible in the profiles of the crafty man of religion and the wily dictator, both using myths of legitimization to enhance the success of their pacts with others. A pattern of deceit can also be observed in various societal compacts. In the author's use of language, storytelling techniques, and rapport with the reader, however, he arrives at a happy mean between conflicting exigencies.
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