Chinese women are often depicted in mythological texts as supernatural beings, such as ghosts and spirits. Female supernatural beings are also described as having bad behavior and bringing disaster to men. One of the bad female supernatural creatures is the fox spirit (Huli Jing). The life of fox spirit can be found in literary texts from imperial to modern times, such as Fox Enchantment (1766) by Pu Songling and Dragon Springs Road (2017) by Janie Chang. This study tries to compare the representation of Huli Jing in imperial and modern texts. In analysing the problem of women’s representation through fox spirit, this study uses a descriptive anaylsis method combined with the semiotic concept of Roland Barthes. This study aims to reveal the transformation of Huli Jing’s representation, as well as the construction of women in Chinese mythology.KEYWORDS: fox spirit; representation; mythology
Artikel ini adalah sebuah pembacaan kritis terhadap pendekatan poskolonial, mulai dari pemikir utama dalam teori kritis hingga pemikiran yang lebih baru, yang selama ini membantu kajian sastra dan budaya dalam memahami konsep diaspora. Diaspora merujuk pada mobilitas manusia yang terjadi akibat penjajahan dan globalisasi serta karya sastra yang dihasilkan melalui pergerakan manusia tersebut. Tujuan artikel ini adalah untuk memahami perkembangan pendekatan poskolonial dalam memahami pengalaman hidup migran dan konsep diaspora. Metode yang diterapkan adalah analisis teks dengan menyajikan kajian literatur ekstensif mengenai studi pascakolonial. Artikel ini mengidentifikasi perspektif intelektual kajian pascakolonial dalam menggunakan istilah diaspora untuk mencermati bagaimana bidang studi ini meredefinisi istilah tersebut untuk mengkaji migrasi di era modern, yang dapat bersifat sukarela maupun tidak sukarela, serta permanen ataupun sementara. Artikel ini berargumen bahwa istilah diaspora terus-menerus mengalami kontestasi dan dijadikan relevan dengan konteks masa kini sehingga memberikan peluang bagi masyarakat Global South, termasuk Indonesia, untuk mencermati agensi mereka dalam pengalaman hidupnya sebagai migran dan warganegara dunia yang berpindah-pindah. This article is a critical reading on postcolonial scholarship, ranging from tenets in the field to more current theories, that has allowed literary and cultural studies scholars to understand the term diaspora. Diaspora refers to the various mobilities caused by colonization and globalization, and the literature produced through people’s movement across borders. This article aims to reflect on the development of postcolonial studies on how this field of study has come to address the migrant’s lived experience and conceptualize the term diaspora. The method applied by this article is literary analysis, as the paper provides an extensive literature review of scholarships in postcolonial studies. By doing so, the article identifies the ways in which postcolonialism has engaged with the term diaspora and is working to reconfigure the term to address modern era migration, that can be both voluntary and involuntary, as well as permanent and temporary. The article ruminates on how diaspora continues to be a contested term and is made relevant to current context, providing ways for communities of the Global South, including Indonesia, to seek agency in their experience as migrants and global mobile citizens.
The issue of food desert (difficulty in accessing healthy food at affordable prices) is a phenomenon that has long plagued a number of regions in the United States. Uniquely, this issue has a close relationship with racism because the majority of the population living in food desert areas are its black population, such as the area of South Memphis, which in 2019, was nicknamed “The Hunger Capital of America”. This article aims to understand the design and implementation of solutions to the food desert issue in South Memphis using the lens of local food network and just sustainability concept. This study also aims to analyze how racial and class awareness are integrated into solutions formulated by local communities, considering that the majority of the population living in the food desert area are black and in the lower middle-class group. Related to the sustainable aspect of the just sustainability concept, this study will also evaluate how initiatives such as farmer’s markets and community kitchens in the form of non-commercial practices, can be an effective and sustainable solution to the food desert issue in the long term.
This research analyzed the commercially successful American musical film entitled The Greatest Showman, released in 2017. This film depicts the journey of P.T. Barnum, who becomes a showman. Barnum founded a circus that includes people from minority racial groups and who have physical uniqueness. This research aimed to examine how representation of the American dream is portrayed in this film and is reconstructed by focusing on minority characters in the circus troupe. A descriptive-analytical method was used with a qualitative approach by considering narrative and cinematic aspects. Inspired by P.T. Barnum’s ‘freakshow’ and circus in the nineteenth century, the film portrays the circus as the pathway to the American dream for multicultural and disabled minorities. The circus provided equal opportunities for all people to show their talents and abilities to perform in a circus show, regardless of class, social status, or gender. However, problematically, the representation of the American dream in the film still affirms white, male privilege by maintaining white males as the leaders of minorities in the circus space. Keywords: American dream, film, freakshow
The urban-rural dichotomy in the Indonesian documentaries Nona nyonya? and Untuk apa? ASRI SARASWATI AbstractThe media play a pivotal role in the democratization process in Indonesia and this is among others apparent in the surge of films, both fiction and documentaries that have been produced after the end Suharto's decades of control over the media. It is important to note, however, that compared with fiction films, the documentary genre remains rather unpopular in Indonesia. Indonesian documentary films struggle to depict stories of the subaltern and those living in the "periphery" in order for them to be seen and heard by the greater masses and by those in power -the ones in the "centre" or Jakarta. This paper discusses the connection between urban and rural voices and its impact in the documentary films Nona nyonya? (Miss mrs?, 2008) and Untuk apa? (What's the point?, 2008) produced by Kalyana Shira Films, an organization well-known for its work on gender issues using film as medium. Departing from the notion that the film industry itself is still largely Jakarta-centred, this article focuses on the way urban settings and voices are used to create rhetoric, and the impact of the domination of these urban voices over the rural ones.
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