Recently, style transfer has received a lot of attention. While much of this research has aimed at speeding up processing, the approaches are still lacking from a principled, art historical standpoint: a style is more than just a single image or an artist, but previous work is limited to only a single instance of a style or shows no benefit from more images. Moreover, previous work has relied on a direct comparison of art in the domain of RGB images or on CNNs pre-trained on Ima-geNet, which requires millions of labeled object bounding boxes and can introduce an extra bias, since it has been assembled without artistic consideration. To circumvent these issues, we propose a style-aware content loss, which is trained jointly with a deep encoder-decoder network for real-time, high-resolution stylization of images and videos. We propose a quantitative measure for evaluating the quality of a stylized image and also have art historians rank patches from our approach against those from previous work. These and our qualitative results ranging from small image patches to megapixel stylistic images and videos show that our approach better captures the subtle nature in which a style affects content. 1

Learning the embedding space, where semantically similar objects are located close together and dissimilar objects far apart, is a cornerstone of many computer vision applications. Existing approaches usually learn a single metric in the embedding space for all available data points, which may have a very complex non-uniform distribution with different notions of similarity between objects, e.g. appearance, shape, color or semantic meaning. Approaches for learning a single distance metric often struggle to encode all different types of relationships and do not generalize well. In this work, we propose a novel easy-to-implement divide and conquer approach for deep metric learning, which significantly improves the state-of-the-art performance of metric learning. Our approach utilizes the embedding space more efficiently by jointly splitting the embedding space and data into K smaller sub-problems. It divides both, the data and the embedding space into K subsets and learns K separate distance metrics in the non-overlapping subspaces of the embedding space, defined by groups of neurons in the embedding layer of the neural network. The proposed approach increases the convergence speed and improves generalization since the complexity of each sub-problem is reduced compared to the original one. We show that our approach outperforms the state-of-the-art by a large margin in retrieval, clustering and re-identification tasks on CUB200-2011, CARS196, Stanford Online Products, Inshop Clothes and PKU VehicleID datasets. Source code: https://bit.ly/dcesml. arXiv:1906.05990v1 [cs.CV] 14 Jun 2019 PreliminariesWe denote the training set as X = {x 1 , . . . , x n } ⊂ X , where X is the original RGB space, and the corresponding class labels as Y = {y 1 , . . . , y n }. A Convolutional Neural Network (CNN) learns a non-linear transformation

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Style transfer has recently received a lot of attention, since it allows to study fundamental challenges in image understanding and synthesis. Recent work has significantly improved the representation of color and texture and computational speed and image resolution. The explicit transformation of image content has, however, been mostly neglected: while artistic style affects formal characteristics of an image, such as color, shape or texture, it also deforms, adds or removes content details. This paper explicitly focuses on a content-and style-aware stylization of a content image. Therefore, we introduce a content transformation module between the encoder and decoder. Moreover, we utilize similar content appearing in photographs and style samples to learn how style alters content details and we generalize this to other class details. Additionally, this work presents a novel normalization layer critical for high resolution image synthesis. The robustness and speed of our model enables a video stylization in real-time and high definition. We perform extensive qualitative and quantitative evaluations to demonstrate the validity of our approach.

Seismic image analysis plays a crucial role in a wide range of industrial applications and has been receiving significant attention. One of the essential challenges of seismic imaging is detecting subsurface salt structure which is indispensable for the identification of hydrocarbon reservoirs and drill path planning. Unfortunately, the exact identification of large salt deposits is notoriously difficult and professional seismic imaging often requires expert human interpretation of salt bodies. Convolutional neural networks (CNNs) have been successfully applied in many fields, and several attempts have been made in the field of seismic imaging. But the high cost of manual annotations by geophysics experts and scarce publicly available labeled datasets hinder the performance of the existing CNN-based methods. In this work, we propose a semi-supervised method for segmentation (delineation) of salt bodies in seismic images which utilizes unlabeled data for multi-round self-training. To reduce error amplification during self-training we propose a scheme which uses an ensemble of CNNs. We show that our approach outperforms state-of-theart on the TGS Salt Identification Challenge dataset and is ranked the first among the 3234 competing methods. The source code is available at GitHub.

Exemplar learning of visual similarities in an unsupervised manner is a problem of paramount importance to Computer Vision. In this context, however, the recent breakthrough in deep learning could not yet unfold its full potential. With only a single positive sample, a great imbalance between one positive and many negatives, and unreliable relationships between most samples, training of Convolutional Neural networks is impaired. In this paper we use weak estimates of local similarities and propose a single optimization problem to extract batches of samples with mutually consistent relations. Conflicting relations are distributed over different batches and similar samples are grouped into compact groups. Learning visual similarities is then framed as a sequence of categorization tasks. The CNN then consolidates transitivity relations within and between groups and learns a single representation for all samples without the need for labels. The proposed unsupervised approach has shown competitive performance on detailed posture analysis and object classification.

Unsupervised learning of visual similarities is of paramount importance to computer vision, particularly due to lacking training data for fine-grained similarities. Deep learning of similarities is often based on relationships between pairs or triplets of samples. Many of these relations are unreliable and mutually contradicting, implying inconsistencies when trained without supervision information that relates different tuples or triplets to each other. To overcome this problem, we use local estimates of reliable (dis-)similarities to initially group samples into compact surrogate classes and use local partial orders of samples to classes to link classes to each other. Similarity learning is then formulated as a partial ordering task with soft correspondences of all samples to classes. Adopting a strategy of self-supervision, a CNN is trained to optimally represent samples in a mutually consistent manner while updating the classes. The similarity learning and grouping procedure are integrated in a single model and optimized jointly. The proposed unsupervised approach shows competitive performance on detailed pose estimation and object classification.