This article examines how the haute couture associated with fashion evolved from the initial creation of Frederik Worth to Karl Lagerfeld. The main idea is to see how the manifestations of the desire to display himself are grounded on differentiation strategies that are always positioned themselves as an anti-fashion critic of previous fashions. In particular, it will be analyzed three moments in the process of democratization of fashion: the chic haute couture created by Coco Chanel in opposition to Paul Poiret conspicuous and ostentatious fashion, the Yves Saint Laurent strategy that indiferentiates gender, and the fast-fashion strategy developed by Karl Lagerfeld in his collection for H & M. From these three cases, and based on theories Thornstein Veblen and George Simmel, it will be presented a theoretical model that allows us to understand the overall dynamics of fashion change.
In this article we analyze in a new way the epistemological concept of mythical explanation. It is shown, within the framework of the theory of dynamic and complex systems, that this kind of explanation is grounded on the substitution of distributed causation by lineal and single causes. Considering four examples, we show which mechanism is operating in that substitution. The first one concerns a computational implementation of a racial segregation model. The second one will be the analysis of an imaginary panic. The third one starts with the theory, developed by René Girard, concerning sacrifice rituals and the emergence of scapegoats. Finally, the fourth one is based on the introduction of the imitation mechanism as an explanation for the financial markets behavior.
Neste artigo é analisado o percurso histórico do conceito moderno de luxo em contraposição com o significado social que o luxo possuía nas sociedades pré-modernas. A evolução do luxo é vista dentro do contexto da evolução da moda, salientando-se como ela participa da emergência das formas modernas de exibição do desejo individual. Essa evolução é analisada com base em quatro exemplos que se sucederam historicamente: o dândi "Beau" Brummell, a alta-costura iniciada por Frederik Worth, as criações de Yves Saint Laurent e as coleções que Karl Lagerfeld desenvolveu para a H&M.
The purpose of this article is to determine the structural form of new online media, with network theory as the main framework of analysis. We argue that this form is a consequence of the shifting of the fixed positions of emission and reception that characterize classical media at a fundamental level. Based on technological, economic, legislative and social aspects, we show that the historical evolution which led to new media may be described by the concept of indifferentiation. This concept characterizes the historical transition between mass media and new media, but also the transition between so called web 1.0 web 2.0. This is a well-known dynamic within the theory of complex systems. Recently, a similar dynamic occurred in the structure of new media. We use these results as a basis to show that the form of new media is identical to that of space of networks, in the sense that this expression is acquired from modern network theory. We then show the social dynamic that determines this form of new media. We conclude that the evolution of new media simultaneously introduces and accelerates a process of social indifferentiation
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.