This article explores how the Welsh Government's recent policy innovations in climate change and environmental sustainability can be read in terms of their imaginative capacity for transformation. The Welsh Government is one of only a few governments in the world to have a legal duty to sustainable development, which includes the pioneering Well-being of Future Generations Act (2015). The legislation has received international attention and praise from the United Nations but, as yet, the Welsh Government's imaginaries of socioecological transformation have received little scrutiny regarding the kinds of ideas about the future and possibilities for change they set in motion. The article considers imaginaries as providing the very grounds of possibility for transformation, being comprised of stories and narratives about what kinds of futures are possible and desirable, intermingled with emotional-affective "atmospheres" that can promote or hinder people's engagement with environmental issues. The article focuses on three aspects of the Welsh Government's imaginaries related to socioecological transformation, namely; resilience and anticipatory discourse, linear time, and "conspiracies of optimism". A number of tensions are drawn out that highlight how the Welsh Government's seemingly progressive rhetoric risks being undermined by the conceptions of time and change it employs. Thus, the article contributes to wider critical analyses of how new politics and modes of governance of and for the (proposed) Anthropocene are taking shape.

In this article, I participate in efforts to re-imagine soils as lively, complex, more-than-human ecologies, by turning to the largely sidestepped subject of spirituality in agriculture. Spiritual knowledge practices rarely sit comfortably alongside technoscientific, productivist accounts of soil health, and yet they can re-configure how soils are conceptualised and managed, with implications for relationships of care. Drawing on an extended period of learning with a Community Supported Agriculture project in south Wales, the article explores how care is cultivated through a non-conventional method of farming known as biodynamics, which incorporates astrological and spiritual principles. I suggest that biodynamic narratives and rituals encourage attentiveness to more-than-human agency and energy, to depth (not only underground but also above-ground influences of the air and celestial bodies), and to reciprocity between soil biota and humans. Biodynamic practices also make space for mystery, thereby resisting drives to measure and map, and offering possibilities for disrupting anthropocentric approaches to soil care. However, the example presented here also highlights how, despite biodynamic’s growing popularity, its spiritual elements have a tendency to be kept quiet, their presence sidelined by more familiar, secular, narratives. Nonetheless, I contend that if effective soil care demands more diverse knowledge practices than those that are currently obliterating critical soil communities at an alarming rate, then there can be much to learn from a touch of magic.

Notions of "artfulness" are increasingly being used in the humanities and social sciences to nod towards ephemeral linkages between creativity and ecological sensitivity, but there has so far been little work to flesh out in detail what this term entails, both conceptually and in practice. This paper contributes to current understandings of "artfulness" through an in-depth case study of conversations facilitated by an arts-sustainability project in Wales known as Emergence. Through the author's experiences of conversations at Emergence gatherings, the paper develops a theory of artfulness as a manner of being that is attuned to a dispersed, emergent version of creativity. The radical ecological potential of the conversations is explored through three themes: vulnerability and receptivity; reconfiguring selfother subjectivities; and posthuman sensibilities. In doing so, the paper contends that artfulness further expands ideas about where and how creativity arises, presenting possibilities for non-artists to creatively compose-with the world in transformative ways. This is essential because the imaginative and creative leap required in response to ongoing ecological loss is so great that it should not be left to professional artists alone.

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