Masked stimuli presented near the threshold of conscious awareness may act as primes, affecting responses to subsequent targets. With arrows as primes and targets, the prime-mask-target sequence has been shown to evoke triphasic lateralized readiness potentials (LRP) with two phases of imbalance between hemispheres preceding the target-related contralateral preponderance of negativity: first a negative, then a positive preponderance contralateral to prime direction. The present article provides evidence that the second wave is related to mask presentation and reflects inhibitory processing independent of reductions in prime visibility, even being evoked by nonmasking distractors that leave the prime fully accessible for consciousness. Of all hypotheses put forward to account for inverse effects in masked priming, this finding is most compatible with the mask-triggered inhibition hypothesis suggested by P. Jaśkowski (2007).

Music has a pervasive tendency to rhythmically engage our body. In contrast, synchronization with speech is rare. Music’s superiority over speech in driving movement probably results from isochrony of musical beats, as opposed to irregular speech stresses. Moreover, the presence of regular patterns of embedded periodicities (i.e., meter) may be critical in making music particularly conducive to movement. We investigated these possibilities by asking participants to synchronize with isochronous auditory stimuli (target), while music and speech distractors were presented at one of various phase relationships with respect to the target. In Exp. 1, familiar musical excerpts and fragments of children poetry were used as distractors. The stimuli were manipulated in terms of beat/stress isochrony and average pitch to achieve maximum comparability. In Exp. 2, the distractors were well-known songs performed with lyrics, on a reiterated syllable, and spoken lyrics, all having the same meter. Music perturbed synchronization with the target stimuli more than speech fragments. However, music superiority over speech disappeared when distractors shared isochrony and the same meter. Music’s peculiar and regular temporal structure is likely to be the main factor fostering tight coupling between sound and movement.

This study aimed to test the validity and reliability of the Kessler Psychological Distress Scale-6 (K6) with a nationally representative clinical sample with various mental health disorders. The cross-sectional, nationally representative, and publicly available data were extracted from the 2014 Health Center Patient Survey (HCPS), which was sponsored by the Health Resources and Services Administration (HRSA). After excluding certain participants for the purpose of this study, we had a total of 1,863 participants. The highest and lowest psychological distress weighted scores were reported by individuals with bipolar disorder ( M = 17.16) and individuals with schizophrenia ( M = 16.09), respectively, although psychological distress interference was highest in individuals with schizophrenia ( M = 2.44). Exploratory factor analysis (EFA) and confirmatory factor analysis (CFA) results yielded a unidimensional factor solution for K6 scale in all subgroups. The K6 is a brief, reliable, and valid measure of psychological distress in adults with panic disorder, generalized anxiety disorder, bipolar disorder, and schizophrenia.

BackgroundAlthough science findings and treatment approaches of a concussion have changed in recent years, there continue to be challenges in understanding the nature of the post‐concussion behavior. There is growing a body of evidence that some deficits can be related to an impaired auditory processing.PurposeTo assess auditory comprehension changes over time following sport‐related concussion (SRC) in young athletes.MethodsA prospective, repeated measures mixed‐design was used. A sample of concussed athletes (n = 137) and the control group consisted of age‐matched, non‐concussed athletes (n = 143) were administered Subtest VIII of the Computerized‐Revised Token Test (C‐RTT). The 88 concussed athletes selected for final analysis (neither previous history of brain injury, neurological, psychiatric problems, nor auditory deficits) were evaluated after injury during three sessions (PC1, PC2, and PC3); controls were tested once. Between‐ and within‐group comparisons using RMANOVA were performed on the C‐RTT Efficiency Score (ES).Results ES of the SRC athletes group improved over consecutive testing sessions (F = 14.7, p < .001), while post‐hoc analysis showed that PC1 results differed from PC2 and PC3 (ts ≥ 4.0, ps < .001), but PC2 and PC3 C‐RTT ES did not change statistically (t = 0.6, p = .557). The SRC athletes demonstrated lower ES for all test session when compared to the control group (ts > 2.0, Ps<.01).ConclusionDysfunctional auditory comprehension performance following a concussion improved over time, but after the second testing session improved performance slowed, especially in terms of its timing. Yet, not only auditory processing but also sensorimotor integration and/or motor execution can be compromised after a concussion.