Frente às demandas de compreensão e prevenção dos processos de adoecimento músculo-esquelético em músicos, este artigo objetiva mostrar as diferenças entre os modos operatórios de dois violinistas de uma orquestra sinfônica a partir de suas relações com os seguintes condicionantes da atividade: as exigências do maestro, a obra musical e a partitura. Os dados foram coletados a partir da observação da atividade nas situações de ensaio da orquestra, durante a produção de uma ópera musical, acompanhada de entrevistas. Os resultados mostram que as relações que se estabelecem entre os músicos e esses condicionantes traduzem estratégias operatórias distintas e formas singulares de uso do corpo e conseqüente desgaste músculo-esquelético.
This article proposes a refl ection about the value of knowledge acquired by protagonists in their working activity. To this end, we propose refl ections on how the work is constituted as a locus of production of knowledge, through the explanation of the distinction between real and prescribed work, explaining the importance of the recognition of these two spheres for the recognition of the invested knowledge, and present the value of these knowledges for the capital, workers, the collective and for movements of workers. Finally, we discuss the process of development of skills in the execution of the activity, the diffi culties of systematization, legitimation and limits of legitimation of these knowledge.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.