. The ‘Hans Kohn Dichotomy’, i.e. the distinction between ‘Western’ and ‘Non‐Western’ nationalism, remains one of the most persistent paradigms in the study of nationalism. This article deals briefly with the terms of Kohn's Dichotomy and with the discussion about it. The main purpose of the article, however, is to problematise the dichotomy in terms of Kohn's personal itinerary which took him from Prague to Russia, and from Britain and Palestine to the United States. Kohn came late to the view that there were two types of nationalism. He adopted this position in the wake of a series of political and personal disappointments, and in response to dramatic historical challenges. In the final analysis, Kohn's Dichotomy was a rhetorical construct, designed to make sense of a world in conflict and to allow Kohn and others, then and later, to come to terms with the hopes and fears raised by nationalism.
This article examines the current heroization of Ukrainian nationalist leader, Stepan Bandera, as manifested in monuments and commemorative practices. It offers a topographic survey that reveals the extent and variety of modes of Bandera heroization. It examines the esthetic and historical controversies that surround Bandera memorialization. It enquires into the personal motivations and political strategies that underlie the effort to project the chosen image of Bandera upon the public space in highly visible terms. It suggests that the campaign in favor of memorializing Bandera can best be understood in performative terms. It is in depicting Bandera as a hero of Ukraine that Bandera becomes a hero of Ukraine.
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