No abstract

Recent debates in urban geography and anthropology have urged a rethinking of ‘marginal’ groups, viewing them not only as intimately connected to the state and its power, but also as offering a lens into alternate modes of dwelling, endurance and political change. We reflect upon the conceptual possibilities of such forms of endurance by examining how those residing in urban margins utilise, enable and inhabit connections to centres of power when faced with dispossession. Focusing on evictions that took place in Lahore (Pakistan) between 2015 and 2017, to acquire land for the Orange Line Metro Train, we follow the actions and narrations of one interlocutor, as he confronted the loss of his home. Unravelling how survival at the margins depends upon tactility and a continuous shifting between roles and modes of actions, we highlight the unique and particular ways in which evictions are lived and embodied. Including such shifting modes of negotiating in conceptualisations of the ‘political’ in the Global South does indeed offer potentialities, but we urge caution in over-reading into these possibilities. Shape-shifting and movement in embodied roles allows for a certain kind of thriving in precarity but rarely allows inhabitants – as they so aspire – to override it altogether.

In middle-class Pakistan, marriage is the prescribed future for all women, but premarital contact between the sexes is discouraged. To find the right partner, then, without visibly flouting social norms, requires a skillful balancing act between private interests and aspirations, and between public representations and collective concerns. Young women often navigate these conflicting demands by developing what they call an understanding: a secret premarital relationship that they normalize by involving family at a late stage to orchestrate an arranged marriage. Firmly enmeshed within the social life of joint families, understandings are an instance neither of defying patriarchal norms nor of pursuing self-cultivation within them. Instead, they offer a window into how young women live and explore new possibilities within the vestiges of normative structures.