The process of forming a Japanese word is called gokeisei. Gokeisei consists of 4 kinds, namely haseigo (派生語), karikomi or shouryaku (刈り込み• 省略), toujigo (頭字語) and fukugougo/gouseigo (複合語• 合成語). This study aims to identify changes in phonemes in the process of gouseigo formation. In this study, the data were analyzed by identifying vocabulary in the form of gouseigo, making a list of gouseigo, interpreting the data according to theory, then discussing the results of data processing. This study uses a qualitative descriptive method, namely data on japanese compound words (gouseigo) are analyzed and presented according to existing circumstances or phenomena as they are. The data collection technique in this study was carried out by collecting data and information sourced from literature books related to gouseigo. Based on the results of this study, it is hoped that it can be useful for Japanese language learners so that they can understand and form Japanese compound words correctly. The formation of the Japanese compound word (gouseigo) can be grouped into: 1)meishi + meishi, 2)meishi + doushi, 3)doushi + meishi, 4)doushi + doushi. Gouseigo vocabulary can be categorized according to the changes in onso that occur in the process of forming the word.
Campur kode dan Alih kode adalah sebuah fenomena bahasa yang terjadi seseorang atau sekelompok orang menggunakan satu atau lebih bahasa dalam komunikasi sehari-hari, baik lisan maupun tulisan. Fenomena tersebut dapat terlihat dalam berbagai konteks, termasuk dalam lagu-lagu populer yang berasal dari Jepang. Tujuan penelitian ini adalah untuk mengidentifikasi jenis-jenis alih kode dan campur kode, bentuk-bentuk campur kode yang terjadi, dan faktor-faktor yang menyebabkan terjadinya alih kode dan campur kode dalam lagu-lagu di Album Heart Station karya Utada Hikaru. Penelitian ini menggunakan metode deskriptif kualitatif dengan menggunakan lagu-lagu dari Album Heart Station karya Utada Hikaru sebagai objek penelitian. Data diperoleh melalui tahap orientasi, seleksi, indetifikasi dan dokumentasi. Analisis data dilakukan dengan menggunakan 4 tahapan analisis: pengumpulan data, reduksi data, penyajian data, dan penarik kesimpulan serta verfikasi. Hasil penelitian menunjukkan adanya satu jenis alih kode dan satu jenis campur kode yang ditemukan, yaitu alih kode eksternal atau alih kode ke luar sebanyak 48 data, yang menggambarkan penggunaan bahasa asli dengan bahasa asing. Dalam penelitian ini, terdapat 25 data campur kode atau Outer code mixing. Bentuk campur kode yang paling banyak digunakan dalam lagu tersebut adalah frasa dan kata. Beberapa faktor yang mempengaruhi terjadinya peristiwa alih kode dan campur kode dalam Album Heart Station termasuk faktor penutur, penggunaan untuk menekankan suatu hal, penggunaan sebagai pengisi atau penghubung kalimat, pengulangan untuk memperjelas informasi, penggunaan untuk memperhalus atau memperkuat permintaan, serta penggunaan istilah yang lebih populer.
In this study, the use of the word taihen in Japanese sentences had difficulty in using the word taihen that appeared in Japanese sentences. This is because the word taihen belongs to two classes of words at once, namely fukushi (adjective) and keiyoushi (adverb). Therefore the author is interested in raising the title of the research on the Use of the Word "Taihen" as an Adjective and Adverb. The method used in this study is a descriptive method using literature study data collection techniques. The data used in this study are finished sentences contained in several minna no nihongo books, teaching materials and also previous research studies. Based on the results of this study, it can be concluded that the word taihen that appears in minnanonihongo books and other textbooks is mostly the word taihen as an adjective that means tiring, difficult, struggling, troublesome, reinforcing, and impractical. As for the word taihen as an adverb generally translates to "very" in Indonesian, and its meaning follows the meaning of the word described.
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