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This article explores a particular marketing trend operating online during the 2010s and consisting of promoting clubbing parties using communist-style posters. The first part of the paper is dedicated to the theoretical framework and approaches the study of the posters also as an alternative memory practice that digitally marked the online landscape of leisure promotion, participating in the making of a nostalgia economy. A socio-semiotic analysis is used for a body of 118 communist themed clubbing advertisements posted online between 2009 and 2019, where content analysis provided data that narrowed the duration of the aforementioned marketing practices to a time span of six years. Content analysis also yielded an overview of the most used visual patterns, while the examination of the production techniques showed that most of the posters displayed extensive digital alteration of the ideological insignia, consistent with the conversion of political icons into kitsch practiced elsewhere in Eastern Europe. These findings are put in perspective within the context of a generational change, while the posters could be the basis for future research under the framework of collective and cultural memory.

This article explores the role of entrepreneurial foreign students in the entangled informal networks of the second economy in Romania during the 1980s by questioning an underexplored part of the distribution chain, namely the provision of commodities missing or in short supply which further fueled the black market. Using a network analysis that traced improbable connections, we identified an unexpected channel in the form of international trade fairs, seen here as potential occasions where informal links are most likely to be first realized. The case study figured the second economy as a transnational place where various actors competed in the generation of hard currency.

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