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In this article I examine the Modern Jazz Quartet’s first appearance for the BBC programme, Jazz 625, which featured guitarist Laurindo Almeida. Taking my cue from the repertoire and presentation of the group, as well as the technological affordances and modernist outlook of Jazz 625, I explore some of the ways that the BBC show affirmed the MJQ as a signifier of quality and enhanced its efforts to challenge static depictions of black visibility. In discussing the quartet’s television appearances as texts that reflect upon the quartet’s work in a wider social and cultural framework, I address broader aesthetic questions regarding the work of the MJQ and attempt to understand how and why this arrangement was materialized, and how the MJQ and Jazz 625 were entangled in some evolving social formations.