Previous research has consistently shown that for sounds varying in intensity over time, the beginning of the sound is of higher importance for the perception of loudness than later parts (primacy effect). However, in all previous studies, the target sounds were presented in quiet, and at a fixed average sound level. In the present study, temporal loudness weights for a time-varying narrowband noise were investigated in the presence of a continuous bandpass-filtered background noise and the average sound levels of the target stimuli were varied across a range of 60 dB. Pronounced primacy effects were observed in all conditions and there were no significant differences between the temporal weights observed in the conditions in quiet and in background noise. Within the conditions in background noise, there was a significant effect of the sound level on the pattern of weights, which was mainly caused by a slight trend for increased weights at the end of the sounds (“recency effect”) in the condition with lower average level. No such effect was observed for the in-quiet conditions. Taken together, the observed primacy effect is largely independent of masking as well as of sound level. Compatible with this conclusion, the observed primacy effects in quiet and in background noise can be well described by an exponential decay function using parameters based on previous studies. Simulations using a model for the partial loudness of time-varying sounds in background noise showed that the model does not predict the observed temporal loudness weights.
Previous work showed that the beginning of a sound is more important for the perception of loudness than later parts. When a short silent gap of sufficient duration is inserted into a sound, this primacy effect reoccurs in the second sound part after the gap. The present study investigates whether this temporal weighting occurs independently for different frequency bands. Sounds consisting of two bandpass noises were presented in four different conditions: (1) a simultaneous gap in both bands, (2) a gap in only the lower frequency band, (3) a gap in only the higher frequency band, or (4) no gap. In all conditions, the temporal loudness weights showed a primacy effect at sound onset. For the frequency bands without a gap, the temporal weights decreased gradually across time, regardless of whether the other frequency band did or did not contain a gap. When a frequency band contained a gap, the weight at the onset of this band after the gap was increased. This reoccurrence of the primacy effect following the gap was again largely independent of whether or not the other band contained a gap. Thus, the results indicate that the temporal loudness weights are frequency specific.
Previous studies consistently showed that human listeners primarily consider the beginning of a time-varying sound when judging its overall loudness, and place less weight on subsequent temporal portions. However, all experiments studying this primacy effect in temporal loudness weights presented the target sound in quiet. Here, we compared temporal weights when the target sound was either presented in quiet or in a continuous background noise, and for a variation in the level of the target sound across a range of 60 dB. The target sound was a time-varying narrowband noise, the background noise was a continuous bandpass-filtered noise. In all conditions, we observed the expected primacy effect, well described by an exponential decay function using parameters based on previous studies. The patterns of temporal weights were very similar in conditions with and without background noise, and largely independent of the variation in target level. Simulations using a dynamical model for the partial loudness of time-varying sounds in background noise showed that the model does not predict the observed temporal loudness weights. Strongly depending on the loudness statistic extracted from the loudness model, the predicted loudness weights were either uniform, or showed an inverse U-shaped pattern with higher weights predicted for temporal portions in the middle of the sound compared to temporal portions near onset or offset.
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