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This paper presents GridNet, a new Convolutional Neural Network (CNN) architecture for semantic image segmentation (full scene labelling). Classical neural networks are implemented as one stream from the input to the output with subsampling operators applied in the stream in order to reduce the feature maps size and to increase the receptive field for the final prediction. However, for semantic image segmentation, where the task consists in providing a semantic class to each pixel of an image, feature maps reduction is harmful because it leads to a resolution loss in the output prediction. To tackle this problem, our GridNet follows a grid pattern allowing multiple interconnected streams to work at different resolutions. We show that our network generalizes many well known networks such as conv-deconv, residual or U-Net networks. GridNet is trained from scratch and achieves competitive results on the Cityscapes dataset.

The aim of this paper is to present different algorithms, based on a combination of two structures of graph and of two color image processing methods, in order to segment color images. The structures used in this study are the region adjacency graph and the line graph associated.We will see how these structures can enhance segmentation processes such as region growing or watershed transformation. The principal advantage of these structures is that they give more weight to adjacency relationships between regions than usual methods. Let us note nevertheless that this advantage leads in return to adjust more parameters than other methods to best refine the result of the segmentation.We will show that this adjustment is necessarily image dependent and observer dependent.

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This paper aims at showing that performing color calibration of an RGB camera can be achieved even in the case where the optical system before the camera introduces strong color distortion. In the present case, the optical system is a microscope containing a halogen lamp, with a nonuniform irradiance on the viewed surface. The calibration method proposed in this work is based on an existing method, but it is preceded by a three-step preprocessing of the RGB images aiming at extracting relevant color information from the strongly distorted images, taking especially into account the nonuniform irradiance map and the perturbing texture due to the surface topology of the standard color calibration charts when observed at micrometric scale. The proposed color calibration process consists first in computing the average color of the color-chart patches viewed under the microscope; then computing white balance, gamma correction, and saturation enhancement; and finally applying a third-order polynomial regression color calibration transform. Despite the nonusual conditions for color calibration, fairly good performance is achieved from a 48 patch Lambertian color chart, since an average CIE-94 color difference on the color-chart colors lower than 2.5 units is obtained.

A video sequence is more than a sequence of still images. It contains a strong spatial-temporal correlation between the regions of consecutive frames. The most important characteristic of videos is the perceived motion foreground objects across the frames. The motion of foreground objects dramatically changes the importance of the objects in a scene and leads to a different saliency map of the frame representing the scene. This makes the saliency analysis of videos much more complicated than that of still images. In this paper, we investigate saliency in video sequences and propose a novel spatiotemporal saliency model devoted for video surveillance applications. Compared to classical saliency models based on still images, such as Itti's model, and space-time saliency models, the proposed model is more correlated to visual saliency perception of surveillance videos. Both bottom-up and topdown attention mechanisms are involved in this model. Stationary saliency and motion saliency are, respectively, analyzed. First, a new method for background subtraction and foreground extraction is developed based on content analysis of the scene in the domain of video surveillance. Then, a stationary saliency model is setup based on multiple features computed from the foreground. Every feature is analyzed with a multi-scale Gaussian pyramid, and all the features conspicuity maps are combined using different weights. The stationary model integrates faces as a supplement feature to other low level features such as color, intensity and orientation. Second, a motion saliency map is calculated using the statistics of the motion vectors field. Third, both motion saliency map and stationary saliency map are merged based on center-surround framework defined by an approximated Gaussian function. The video saliency maps computed from our model have been compared to the gaze maps obtained from subjective experiments with SMI eye tracker for surveillance video sequences. The results show strong correlation between the output of the proposed spatiotemporal saliency model and the experimental gaze maps.

The objective of colour mapping or colour transfer methods is to recolour a given image or video by deriving a mapping between that image and another image serving as a reference. These methods have received considerable attention in recent years, both in academic literature and industrial applications. Methods for recolouring images have often appeared under the labels of colour correction, colour transfer or colour balancing, to name a few, but their goal is always the same: mapping the colours of one image to another. In this paper, we present a comprehensive overview of these methods and offer a classification of current solutions depending not only on their algorithmic formulation but also their range of applications. We also provide a new dataset and a novel evaluation technique called 'evaluation by colour mapping roundtrip'. We discuss the relative merit of each class of techniques through examples and show how colour mapping solutions can have been applied to a diverse range of problems.