RESUMO:Este trabalho visa apontar algumas relações entre as obras Angústia, de Graciliano Ramos e Voz de prisão, de Manuel Ferreira. Entre os nexos comparativos, destaca-se a hipótese de que nas duas obras são exploradas as tensões entre discursos hegemônicos e discursos renegados ou -como pretendemos caracterizar -"subterrâneos". Na consideração desse embate de forças -cultural, estética, ideológico -, a função do intelectual, tal como pensada por Edward Said, será apontada como decisiva. PALAVRAS-CHAVE:Modernismo; Graciliano Ramos; Manuel Ferreira; Papel do intelectual; Comparatismo lusófono.ABSTRACT: This paper aims at pointing out the relationships betweenAngústia, by Graciliano Ramos and Voz de Prisão, by Manuel Ferreira. Among the comparative nexus, we have singled out the hypothesis that in both works the authors exploit the tensions between the hegemonic discourse and the discourses of the outcasts or -as we intend to characterize them -"undergrounders". In considering this clash of forces -cultural, aesthetic, ideological -, the role played by the intellectual, as it is understood by Edward Said, will be regarded as being a decisive one. Se podemos classificar como engajada a literatura do brasileiro Graciliano Ramos, que produziu entre os anos 30 e 40, pontualmente situado, KEY-WORDS:
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