曲仕上げ過程に着目したピアノ奏者の聴覚認知と演奏行動に関する研究（その１）： 曲仕上げ過程段階の分類と練習・演奏行動・音場への意識に関する統計的因果分析

Abstract

In the present research, we analyzed "Practice and Performance Behavior (PPB)" and consciousness of the sound field from the viewpoint of "Proficiency Level of a Music piece (PLM)" by piano players. Two questionnaires were carried out in the investigation. As a result, PLM was classified into four groups. Also, causality analysis revealed that PPB consisted of five factors. Considering the characteristics of four PLMs and the relations among five factors of PPB, it is supposed that consciousness of the sound field is low in the first half of PLM and it increases in the latter half of it.

Room Acoustics Preference of Solo Singers for Mastering a Piece -Experiments Using “Sound Cask”: A 3D Sound Field Simulation System

“…An appropriate acoustic environment is necessary in musical performance and practice, and the preferred room acoustic conditions vary depending on various factors such as proficiency level, motivation, and contents to be practiced. A previous study on piano performance examined the correspondence between the changes in practice elements and the appropriate conditions for reverberation time in the process of mastering a piece [1][2][3]. In this study, we focused on practice elements that vary during the process of mastering a piece and investigated the room acoustic conditions preferred by solo singers for practice.…”