2009
DOI: 10.1080/09528820902840581
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Zones of Indistinction: Giorgio Agamben’s ‘Bare Life’ and the Politics of Aesthetics

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Cited by 56 publications
(15 citation statements)
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“…However, in addition to periodic raids carried out by the police unit in charge of public order in the city ( đội trật tự đô thị ), street vendors suffer various types of harassment, such as demands for bribes, intimidation, threads, and outright theft . It is in these violent instances of the corrupt exception that we can most clearly discern the shadowy appearance of Agamben's homo sacer , “the one‐time citizen rendered outlaw who has no recourse to law other than that of the sovereign's power over his life and death” (Downey :111)—or, at the Vietnam–China border, over the small‐scale traders’ bowls of rice or congee.…”
Section: Predatory Harassmentmentioning
confidence: 99%
“…However, in addition to periodic raids carried out by the police unit in charge of public order in the city ( đội trật tự đô thị ), street vendors suffer various types of harassment, such as demands for bribes, intimidation, threads, and outright theft . It is in these violent instances of the corrupt exception that we can most clearly discern the shadowy appearance of Agamben's homo sacer , “the one‐time citizen rendered outlaw who has no recourse to law other than that of the sovereign's power over his life and death” (Downey :111)—or, at the Vietnam–China border, over the small‐scale traders’ bowls of rice or congee.…”
Section: Predatory Harassmentmentioning
confidence: 99%
“…2) El dispositivo "articula dos elementos que, a primera vista al menos, parecen excluirse u oponerse" (Castro 2008, p. 89); el dispo- 7 Existen además diversos trabajos que se ocupan del concepto de imagen indirectamente, centrados en algunos de los temas o autores de referencia: la imagen en relación con el concepto de gesto (Levitt 2008), la cuestión del mesianismo y la imagen histórica (Honesko 2009), la imagen y la visibilidad del concepto de ejemplo (DeCaroli 2001), la lectura de Agamben del "devenir imagen del capital" y el espectáculo en el pensamiento de Debord (Costa 2011 y Murray 2008) o la "imposibilidad de la imagen" en las figuras del musulmán y el homo sacer (Buch 2007, Downey 2009y Chow 2006.…”
Section: El Problema De La Imagenunclassified
“…Aunque no podemos desarrollar el tema aquí, es desde esta perspectiva que debe entenderse la figura límite del musulmán como un "muerto-vivo" en Quel che resta di Auschwitz (1998a), y entonces también el debate que ha generado en torno a la posibilidad de "imaginar", "representar" y "testimoniar" tal figura límite de lo humano. Sobre esta cuestión, véase Downey 2009, Buch 2007y Chow 2006 entrecruzan aquí con un análisis de la relación paradójica de esos cuerpos con la vida y la muerte, y en este punto todas las figuras iluminan de algún modo la vida del homo sacer como la de una vida expuesta a la muerte. Sin embargo, como veremos, la vida del homo sacer no posee imagen alguna, es de algún modo un "punto ciego", esa región más oscura del poder que Agamben quiere iluminar.…”
Section: La Imagen Del Soberanounclassified
“…Drawing on Giorgio Agamben's theorisations of lives lived on the margins of social, political, juridical, and biological representation, De Vos further proposes that the de-humanisation and de-subjectivation of the prisoners that took place during the Stanford Prison Experiment constituted "the prisoners as the humiliated and debased homo sacer of the psychological discourse" (2010: 164). Likewise, critics have drawn parallels between human subjects that populate Ż mijewski's projects -often stripped down to the point of physical and mental humiliation -and Agamben's homo sacer (see, Möntmann, 2006;Downey, 2009). Some, like Jan Verwoert, even go as far as to argue that Ż mijewski's collaborators "are stripped bare and unconditionally subject to a social experiment performed on their bodies .…”
Section: Holocaust Testimony Ethics and Affect In Artur Zmijewski'smentioning
confidence: 99%