Youtube: Where Cultural Memory and Copyright Converge

Hilderbrand, Lucas

doi:10.1525/fq.2007.61.1.48

Cited by 72 publications

(28 citation statements)

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“…In 2006, LinkedIn increased to 20 million viewers. Hempel and Hilderbrand [6,7] argued that as of June 2013, LinkedIn acquires more than 259 million users from more than 200 countries and territories.…”

Section: Facebook Was Founded On February 4 2004 By Markmentioning

confidence: 99%

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An Analytical Literature Review of State of Art Works on Online Social Media Platforms

Bhatt¹,

Saini²

2015

IJCA

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There are various online media platforms available today and include Facebook, LinkedIn, YouTube, StumbleUpon, Digg, Reddit, Del.icio.us, Pinterest, Tumbler and Google+, to name a few. Such platforms are exploited by individuals as well as masses for different purposes ranging from communicating with relatives and friends to using them for online marketing. With the proliferation of such online media platforms, the world has converged and the effect of the virality of such platforms on general society is tremendous. The current paper presents an analytical review of related literature and on the sidelines also aims at identifying the parameters responsible for influencing the usage and popularity of such platforms. The factors responsible for the selection of a specific platform as well as the stages, effects and growth of news-items leading them to become viral have also been studied.

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Section: Facebook Was Founded On February 4 2004 By Markmentioning

confidence: 99%

“…Burgess [2] concludes that "oddness" and "amateurism" lead to virality. Hildebrand [7] argues that quick viewing mechanism of YouTube makes skimming videos easy. Users on YouTube can quickly move from video to video to find popular content.…”

Section: Literature Reviewmentioning

confidence: 99%

An Analytical Literature Review of State of Art Works on Online Social Media Platforms

Bhatt¹,

Saini²

2015

IJCA

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“…Many users choose to offer disclaimers in the descriptions of their videos claiming no ownership or copyright to the content they have uploaded. Hilderbrand (2007) comments that "YouTube has become one of the most prominent and popular sites where what's actually legal law is being contested and potentially curtailed" (p. 56), and while much of what is posted on YouTube is either subject to copyright or contains appropriated content, the site survives arguably due to the proportional amount of material that in no way infringes copyright. The distinctions between artist-sanctioned YouTube content and user-uploaded copied content are subtle, but present on YouTube.…”

Section: It's All Here: Community and Accessmentioning

confidence: 99%

Live from the ether

Trainer¹

2015

The Digital Evolution of Live Music

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“…This may explain why some YouTube users have posted rare footage or self-produced videos of 1960s all-girl rock bands like the US's Pleasure Seekers and Norway's Dandy Girls. Given new media's offerings, it is now equally possible to view videos by such bands as those by contemporary groups such as the Like (Brightwell 2012;Lucas Hilderbrand 2007). In addressing this current retro fascination, it is important to examine the socio-historic context in which these first all-girl rock bands formed.…”

Section: Women In Rock: An Incomplete Narrativementioning

confidence: 99%

From Beatles Fans to Beat Groups

Feldman-Barrett

2013

Feminist Media Studies

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While much is written about the cultural influence of the vocalist-driven girl groups and female singers of the early-to-mid-1960s, an air of mystery continues to shroud this era's all-girl rock bands-in the UK, US, and worldwide-that performed, recorded, and often wrote their own material. Influenced by the Beatles and the British beat boom that followed, these bands are an important missing link in rock music history, as they epitomize a less overtly gendered, if shortlived, period of the genre. In an era between Betty Friedan's 1963 Feminine Mystique and the changes to come with 1970s second-wave feminism, a handful of musically minded young women were determined to transform their Beatles fandom in order to become co-creators of what was not yet a resolutely masculinist music scene.

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Youtube: Where Cultural Memory and Copyright Converge

Cited by 72 publications

References 0 publications

An Analytical Literature Review of State of Art Works on Online Social Media Platforms

An Analytical Literature Review of State of Art Works on Online Social Media Platforms

Live from the ether

From Beatles Fans to Beat Groups

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