2006
DOI: 10.3202/caa.reviews.2006.28
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Yasser Tabbaa. Review of "Islamic Aesthetics: An Introduction" by Oliver Leaman.

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Cited by 3 publications
(6 citation statements)
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“…In this context, it is unfortunately not surprising that Jordanian women on municipal councils are mocked 67 and socially ostracized for engaging in traditionally male activities. 68 Our findings about the tribal uses of the gender quota in Jordan tell us something not only about how tribes elsewhere in the Muslim world might respond to gender quotas but also about the behaviors of a range of conservative political parties given that tribes in Jordan behave so much like parties. Clark and Schwedler found that Islamist parties in Jordan and Yemen acted strategically with regards to women's participation.…”
Section: Resultsmentioning
confidence: 86%
“…In this context, it is unfortunately not surprising that Jordanian women on municipal councils are mocked 67 and socially ostracized for engaging in traditionally male activities. 68 Our findings about the tribal uses of the gender quota in Jordan tell us something not only about how tribes elsewhere in the Muslim world might respond to gender quotas but also about the behaviors of a range of conservative political parties given that tribes in Jordan behave so much like parties. Clark and Schwedler found that Islamist parties in Jordan and Yemen acted strategically with regards to women's participation.…”
Section: Resultsmentioning
confidence: 86%
“…The group was founded by Nahla Tabbaa, a Jordanian artist, educated in Britain, who established the Urban Reflection group as part of her master’s degree in curatorial practice at Bath School of Art and Design. The activists, mainly artists and people “involved in urban activism and social inclusion” (Tabbaa, 2012), build on situationist theory, which is a mid-20th-century movement based on creating situations – basically art projects – that “agitate the sterility and oppression of the actual environment and ruling economic and political system” (Wollen, 1993: 121). David Debord, one of the movement’s founders, identifies the situation as “a moment of life concretely and deliberately constructed by the collective organization of a unitary ambiance and a game of events” (quoted in Albright, 2003: 29).…”
Section: Decoloniality and Urban Space: Shifting The Discourse From Interpretation To Resistancementioning
confidence: 99%
“…The event the Urban Reflection organized used art as a mechanism to express the self: a creative outlet for local artists and youth in Hay Al-Qala’a. It thus added a new layer of signification where “artists … [are] given a role in social development, using their talent to address environmental, urban and social issues” (Tabbaa, 2012). The role of the local community was to “discuss” the subjects to be painted and to participate in their painting.…”
Section: Decoloniality and Urban Space: Shifting The Discourse From Interpretation To Resistancementioning
confidence: 99%
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