2021
DOI: 10.3390/heritage4040179
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XRF Imaging (MA-XRF) as a Valuable Method in the Analysis of Nonhomogeneous Structures of Grisaille Paint Layers

Abstract: Stained glass paint layers made with vitreous paints can be a challenging subject for analyses. Their heterogenic structure requires proper experimental methodology in order to obtain valuable data. The main goal of this paper is to present the advantages of macro-XRF scanning (MA-XRF) in the non-destructive investigation of historical grisaille paint layers on the basis of research conducted on seven stained glass panels from the Dominican Monastery in Kraków, the Diocesan Museum in Kielce and the National Mu… Show more

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Cited by 5 publications
(3 citation statements)
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“…The Fensternbierscheiben panel PNP2601 was already verified as presenting a different support-glass composition from other panels with the same typology in the Ferdinand II collection [27]. When looking at the grisaille composition, the copper pigment is still dominant, as it was in the 18th century panels analysed here (PNP2883, PNP2884, PNP2886 and PNP2888), but a clear change is observable with the addition of cobalt and manganese, as well as the presence of arsenic oxides-indeed, this is in accordance with the 19th century practise [2,3,54,55].…”
Section: Group 4: Ungrouped Itemssupporting
confidence: 79%
“…The Fensternbierscheiben panel PNP2601 was already verified as presenting a different support-glass composition from other panels with the same typology in the Ferdinand II collection [27]. When looking at the grisaille composition, the copper pigment is still dominant, as it was in the 18th century panels analysed here (PNP2883, PNP2884, PNP2886 and PNP2888), but a clear change is observable with the addition of cobalt and manganese, as well as the presence of arsenic oxides-indeed, this is in accordance with the 19th century practise [2,3,54,55].…”
Section: Group 4: Ungrouped Itemssupporting
confidence: 79%
“…The characterization of glasses from stained glass windows has quickly improved in the last years. Laboratory-based techniques, such as field emission scanning electron microscopy/energy-dispersive X-ray spectroscopy (FESEM-EDS) and X-ray fluorescence spectrometry (XRF), are usually destructive, as sampling is usually necessary [13][14][15][16]. On the other hand, portable XRF instruments are becoming more and more available for in situ measurements.…”
Section: Introductionmentioning
confidence: 99%
“…When applied to the investigation of large area painting, it becomes quite time consuming, although much progress has been made recently in various aspects of this method, including X-ray tubes, radiation detectors, mechanical scanning systems, and software. There is a commercially available instrument from Bruker Nano GmbH known as M6-Jetstream [ 7 ], which is used nowadays for investigation of flat cultural heritage objects, like paintings, icons, manuscripts, and stained glass [ 6 , 8 , 9 , 10 , 11 , 12 ]. It is worth noting that the instrument has been developed addressing specific requirements of cultural heritage studies.…”
Section: Introductionmentioning
confidence: 99%