2013
DOI: 10.1088/1748-0221/8/10/p10011
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X-ray fluorescence imaging system for fast mapping of pigment distributions in cultural heritage paintings

Abstract: Conventional X-ray fluorescence imaging technique uses a focused X-ray beam to scan through the sample and an X-ray detector with high energy resolution but no spatial resolution. The spatial resolution of the image is then determined by the size of the exciting beam, which can be obtained either from a synchrotron source or from an X-ray tube with a micro-capillary lens. Such a technique based on a pixel-by-pixel measurement is very slow and not suitable for imaging large area samples. The goal of this work i… Show more

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Cited by 34 publications
(18 citation statements)
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“…Beyond its own history, a work of art as a painting or a fresco can reveal details regarding its historical age such as the habits or the tastes of people, and, more important for scientists and art historians, information regarding the technique, and the creative process used by the painter. Discovering how painted works of art were realized or, eventually modified, can be done by gathering data about its structure and composition and, because a great deal of information can lie tens or hundreds of microns below the surface, the possibility of study artworks layer by layer is valuable for art research In this scenario, X‐ray fluorescence (XRF) results as the most diffused and powerful technique; it gives extremely useful results, also as a consequence of the development of new devices, more and more sensitive and reliable, mainly when coupled with other spectroscopic techniques . Thanks to the fact that XRF allows a non‐destructive and non‐invasive elemental analysis also in air, XRF makes the study of the stratigraphic distribution of elements feasible also for cultural heritage objects: samples that require damage avoiding as a key feature to perform experimental studies.…”
Section: Introductionmentioning
confidence: 99%
“…Beyond its own history, a work of art as a painting or a fresco can reveal details regarding its historical age such as the habits or the tastes of people, and, more important for scientists and art historians, information regarding the technique, and the creative process used by the painter. Discovering how painted works of art were realized or, eventually modified, can be done by gathering data about its structure and composition and, because a great deal of information can lie tens or hundreds of microns below the surface, the possibility of study artworks layer by layer is valuable for art research In this scenario, X‐ray fluorescence (XRF) results as the most diffused and powerful technique; it gives extremely useful results, also as a consequence of the development of new devices, more and more sensitive and reliable, mainly when coupled with other spectroscopic techniques . Thanks to the fact that XRF allows a non‐destructive and non‐invasive elemental analysis also in air, XRF makes the study of the stratigraphic distribution of elements feasible also for cultural heritage objects: samples that require damage avoiding as a key feature to perform experimental studies.…”
Section: Introductionmentioning
confidence: 99%
“…They are characterised by the unlimited dynamic range, high rate capability (> 1 MHz/mm 2 ), high soft X-ray detection capability (< 1 keV), and large detection areas (> 10 × 10 cm 2 ), and have been successfully implemented in different EDXRFI spectrometers [14]. An XRF imaging system for pigment distribution mapping of large area cultural heritage samples was developed by Zielińska et al [15]. It relies on a triple GEM detector operating in a gas mixture of argon and carbon dioxide flowing through the detector chamber, and a 2D-readout system.…”
Section: Introductionmentioning
confidence: 99%
“…An alternative technique called full-field imaging has been proposed recently, and several projects are under development [ 20 , 21 , 22 ]. The full-field imaging technique requires a position-sensitive and energy-dispersive X-ray detector.…”
Section: Introductionmentioning
confidence: 99%