2020
DOI: 10.1108/jd-11-2019-0217
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“Write the story you want to read”: world-queering through slash fanfiction creation

Abstract: PurposeThis pilot study explores how queer slash fanfiction writers reorient cis/heteronormative entertainment media (EM) content to create queer information worlds.Design/methodology/approachConstructivist grounded theory was employed to explore queer individuals' slash fanfiction reading and creation practices. Slash fanfiction refers to fan-written texts that recast cis/heteronormative content with queer characters, relationships, and themes. Theoretical sampling drove ten semi-structured interviews with qu… Show more

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Cited by 119 publications
(16 citation statements)
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References 60 publications
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“…My findings corroborate previous research (Anselmo, 2018;Dym et al, 2019;Floegel, 2020;Hanmer, 2014;Lamerichs, 2018;Ng, 2008;Pullen & Cooper, 2010;Waggoner, 2018), and strongly suggest that the online world, fandoms and fanfictions can play a crucial role in the lives and well-being of WLW. Eighty-six percent of the respondents stated that the online world was very important to them as WLW (rating 7, 8, 9, or 10 out of 10)-the most common answer being 10 (34%); hence corroborating the interests of those conducting the survey.…”
Section: Resultssupporting
confidence: 89%
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“…My findings corroborate previous research (Anselmo, 2018;Dym et al, 2019;Floegel, 2020;Hanmer, 2014;Lamerichs, 2018;Ng, 2008;Pullen & Cooper, 2010;Waggoner, 2018), and strongly suggest that the online world, fandoms and fanfictions can play a crucial role in the lives and well-being of WLW. Eighty-six percent of the respondents stated that the online world was very important to them as WLW (rating 7, 8, 9, or 10 out of 10)-the most common answer being 10 (34%); hence corroborating the interests of those conducting the survey.…”
Section: Resultssupporting
confidence: 89%
“…Evans and Mathur (2005) also highlight several weaknesses of online surveys including "skewed attribute of internet or respondents online" (p. 197); however, this survey deliberately sought a skewed sample around those interested in the topic and who were engaged online. This both conforms and contrasts to previous research on fan communities, much of which is ethnographic in nature (Bacon- Smith, 1992;Jenkins, 1992;Radway, 1984;Waggoner, 2018) or incorporates similar techniques such as in-depth interviews or textual analysis (Anselmo, 2018;Dym et al, 2019;Floegel, 2020;Hanmer, 2014;Ng, 2008;Pande, 2018). In relation, a strength of ethnographic or interview data is the opportunity to explain and engage with participants.…”
Section: Methodssupporting
confidence: 85%
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“…Drawing on interview data with 25 queer participants in seven different countries as well as content analysis of fanfiction texts and five social media platforms used by fans, Floegel will discuss overlapping liberatory and oppressive dimensions of embodied and affective elements of information creation. In particular, they will demonstrate how intersectionality (Crenshaw, 1988; Collins, 2000) functions within queer creative practices and the online spaces in which they occur so that white, Western, and cisgender fans experience self‐discovery and catharsis through fanfiction while fans of color, non‐Western, and transgender fans experience oppression and marginalization (Floegel, 2020; Pande, 2018). Further, Floegel will discuss how elements of social media platforms like their taxonomic systems and content warnings serve to enforce inequitable experiences for queer fans along racialized, gendered, and nationalized lines.…”
Section: Panel Formatmentioning
confidence: 99%