Works of Love in a World of Violence: Kierkegaard, Feminism, and the Limits of Self‐Sacrifice

Abstract

Feminist scholars adopt wide‐ranging views of self‐sacrifice: their critiques claim that women are inordinately affected by Christianity's valorization of self‐sacrifice and that this traditional Christian value is inherently misogynistic and necrophilic. Although Søren Kierkegaard's Works of Love deems Christian love essentially sacrificial, love, in his view, sets significant limits on the role of self‐sacrifice in human life. Through his proposed response to one who requests forgiveness, “Do you now truly love me?” Kierkegaard offers a model of forgiveness that subverts traditional ideals of the self‐sacrificing and submissive woman while keeping love central. The question asserts self‐love, involves redoubling and double danger, and expresses a refusal to imitate Christ's suffering. I propose a reading in keeping with Grace Jantzen's vision for a feminist philosophy of religion, which reads against the grain and “seeks to break through to new ways of thinking that may open up divine horizons.” My reading is further supported by Kierkegaard's contention that everything essentially Christian bears a double meaning. In light of the subversive potential found in the discrepancy between apparent love and actual love, as well as the duty to name the sin of one who has behaved in an unloving manner, I argue that Kierkegaard's philosophy of love resists simplistic understandings of self‐sacrificing love.

Filozofija glume i njezine granice: “Kriza općenito i kriza u životu glumice” Sørena Kierkegaarda

“…vlastitoj singularnoj egzistenciji i tjelesnoj konačnosti ostvari odnos s beskonačnim, ponovi Kristovo utjelovljenje i prakticira "djela ljubavi" (usp. Bertung u Léon i Walsh, 1997;Ferreira, 2001;Hall, 2004;Assiter, 2015;Green, 2013). Svakako, feminizmu je ovakva izručenost transcen denciji i sumnjičavost spram svjetovnih, nekmoli političkih alijansi morala uvelike ostati strana, pa se i apsorpcija Kierkegaardovih ideja, najzamjetnija u filozofiji Simone de Beauvoir, zadržala u feminističkoj kritici objektivističkih i apstraktnih antropoloških postulata, a za volju afirmacije singularnosti i kontingencije u kojima se okućiti i žen sko postajanje (usp.…”