Working by Wit Alone: Aspects of Ingenuity in Dürer

Marr, Alexander

doi:10.1484/m.hmtrib-eb.5.130064

Tributes to Paul Binski 2021

DOI: 10.1484/m.hmtrib-eb.5.130064

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Working by Wit Alone: Aspects of Ingenuity in Dürer

Alexander Marr¹

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2023

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“…A nice and recent perspective on Rubens creativity is Marr (2021). 17 van der Ploeg and Vermeeren (1997).…”

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A Twisted Hand: Affective Iconography in Peter Paul Rubens’s Adoration of the Magi

Jonckheere

2023

Arts

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After his return from Italy in 1608, Peter Paul Rubens received a commission to depict an Adoration of the Magi for the Statenkamer in Antwerp’s Town Hall. It was the first, grand display of his stylistic and iconographic innovations. By building on unexplored contemporary sources and close reading of the iconography, this article posits that Rubens’s canvas served as a questie on various matters under discussion at the time, and was designed to induce divergent affects in the beholders.

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“…A nice and recent perspective on Rubens creativity is Marr (2021). 17 van der Ploeg and Vermeeren (1997).…”

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confidence: 99%

“…110-11). Vergara, H. Cabrero, J. García-Máiquez, C.', in: The Burlington Magazine, 147, 1233(2005 See Marr (2021) especially the preface (pp. 7-13) offers an excellent introduction to this issue.…”

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confidence: 99%

A Twisted Hand: Affective Iconography in Peter Paul Rubens’s Adoration of the Magi

Jonckheere

2023

Arts

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Working by Wit Alone: Aspects of Ingenuity in Dürer

Cited by 1 publication

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A Twisted Hand: Affective Iconography in Peter Paul Rubens’s Adoration of the Magi

A Twisted Hand: Affective Iconography in Peter Paul Rubens’s Adoration of the Magi

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