Women and the cultural industries

Mattelart, Michèle; Reader, Keith

doi:10.1177/016344378200400204

Cited by 63 publications

(2 citation statements)

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“…(Radway, 1987). Segundo Mattelart (1982), nas histórias românticas esta "ordem do coração" invalida qualquer forma de luta contra as desigualdades sociais, apesar de sua existência ser admitida, porque difunde a ideia de que somente o amor ultrapassa barreiras. Não somente a solução é individual -nunca coletiva -mas está sempre ligada a um milagre.…”

Section: A Ordem Do Coração E O Conformismo Socialunclassified

A vida em cor de rosa: o romance sentimental e a ditadura militar no Brasil

Andrade

Silva

2010

Rev. Famecos (Online)

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A vida em cor de rosa: o romance sentimental e a ditadura militar no BrasilRevista FAMECOS • Porto Alegre • v. 17 n. PALAVRAS-CHAVE Romances sentimentais Valores morais Ditadura militarThe life in rose color: the sentimental romance and the military dictatorship in Brazil ABSTRACT This essay has the intention to make a reflection on the mass literature, in special, the sentimental romances and the moral and ethical values established by the military dictatorship in Brazil, during the regimen of exception of 1964. The research is based on the idea that the reading is a social practical, historically situated that as much constructs new representations on the social as reverberates perspectives consolidated for the dominant order. This is the case of the sentimental romances of Corin Tellado, that sold in popular prices, in middle of years 1960, at magazine board, had been a great bets of the regimen in the repercussion of certain values, that in the optics of the leading classrooms, were considered correct with the new social order.

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Section: A Ordem Do Coração E O Conformismo Socialunclassified

A vida em cor de rosa: o romance sentimental e a ditadura militar no Brasil

Andrade

Silva

2010

Rev. Famecos (Online)

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“…She admits, however, that the available evidence is meager and that oppressive as well as positive images are prevalent even in socialist countries. It should be noted that in another UNESCO-funded study of women's representations in print and electronic media content world-wide, Mattelart (1982) also displays a fundamentally Marxist orientation in linking the experience of cultural products to structures of the communication industry. 23 She also, however, calls for interviews with female audience members to understand CSMC 115 STEEVES more fully how representations actually are interpreted (p. 147).…”

Section: Cultural Studiesmentioning

confidence: 99%

Feminist theories and media studies

Steeves

1987

Critical Studies in Mass Communication

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This essay discusses the assumptions that ground radical, liberal, and socialist feminist theoretical frameworks, and reviews and critiques feminist media research. I argue that liberal feminism, which characterizes much U.S. mainstream media research, speaks only to white, heterosexual, middle and upper class women and is incapable of addressing most women's concerns. Radical and structuralist feminist communication scholars, however, tend to focus exclusively on texts and often ignore important contextual considerations. I conclude that socialist feminism offers the greatest potential for a comprehensive framework to address women's devaluation in communication but that much more theoretical and empirical work still needs to be done. Finally, I encourage the recent tendency among feminist communication scholars to ignore disciplinary boundaries and draw freely on literary, film, and speech studies, as well as mass communication and feminist theory.

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Introduction

McCracken¹

1993

Decoding Women’s Magazines

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Women and the cultural industries

Cited by 63 publications

References 1 publication

A vida em cor de rosa: o romance sentimental e a ditadura militar no Brasil

A vida em cor de rosa: o romance sentimental e a ditadura militar no Brasil

Feminist theories and media studies

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