2015
DOI: 10.1093/jsh/shv049
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“Woman's Special Enemy”: Female Enmity in Criminal Discourse during the Long Nineteenth Century

Abstract: The belief that women secretly hate other women is one with a long history. This article highlights the role that idea played in the myriad of literature produced about women of the "criminal classes" from the early Victorian period through to the end of the First World War, as interest in female crime and prostitution was at its height. The trope that women are each other's worst enemies was evident in criminal discourse across transnational contexts;in particular, I explore how such narratives were received … Show more

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Cited by 3 publications
(3 citation statements)
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References 40 publications
(19 reference statements)
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“…-Cesare Lombroso (1893) Historians have traced back the lay belief that women generally dislike each other more than a century (Piper, 2016), and this popular view persists today (Chandra, 2014;Hoogervorst, 2014;Sanchez, 2012). Mainstream media often portray women as unsupportive of each other at work (Akbari, 2015;Khazan, 2014;Lepore, 2014;Rezvani, 2012).…”
mentioning
confidence: 99%
“…-Cesare Lombroso (1893) Historians have traced back the lay belief that women generally dislike each other more than a century (Piper, 2016), and this popular view persists today (Chandra, 2014;Hoogervorst, 2014;Sanchez, 2012). Mainstream media often portray women as unsupportive of each other at work (Akbari, 2015;Khazan, 2014;Lepore, 2014;Rezvani, 2012).…”
mentioning
confidence: 99%
“…Women are our own worst enemies, prone to bitching, gossiping and backstabbing; secretly we all hate each other (Moss 2014, Piper 2015, Raymond 1986. Men are 'mates' while women are 'mean girls' or 'frenemies'; our rivalry is natural, innate and unhealthy (Dyrenfurth 2015, Piper 2016. The psychological concept of 'schemas' provides a useful way to understand the persistence of such framings and the manner by which they may influence how creative writers craft fictional narratives and, in particular, the representations of relationships between female characters within them.…”
Section: Creativity Cognitive Science and Schema Theoriesmentioning
confidence: 99%
“…The author, like most of his contemporaries, suggests that such relationships were ultimately destructive and corrupting. 5 Yet it is implied that Emily genuinely believes she has helped both Julia and Mary, if only to what she thinks is the best of workingclass women's limited options at the time. The story thus intimates the existence of important informal networks of support among prostitutes, ones that also facilitated women's property crimes.…”
mentioning
confidence: 99%