With Louis and the Duke

Bigard, Barney; Martyn, Barry

doi:10.1007/978-1-349-08314-5

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“…Alors 03C3m est d'ordre pm. D'après [1] exercice 19 page 194 , l'homomorphisme a m de Fm dans E1, admet un prolongement 6m en un E-automorphisme de E~ .Donc Om appartient à Gai ~ /E), il est donc d'ordre 1 ou p. Par suite l'ordre de am est au plus p. D'où une contradiction avec le fait que am est d'ordre pm On conclut que E n'est pas une clôture algébrique de E . .…”

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La clôture algébrique du corps des séries formelles

Benhissi¹

1995

Annales Mathématiques Blaise Pascal

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La clôture algébrique du corps des séries formelles Annales mathématiques Blaise Pascal, tome 2, n o 2 (1995), p. 1-14 © Annales mathématiques Blaise Pascal, 1995, tous droits réservés. L'accès aux archives de la revue « Annales mathématiques Blaise Pascal » (http:// math.univ-bpclermont.fr/ambp/) implique l'accord avec les conditions générales d'utilisation (http://www.numdam.org/conditions). Toute utilisation commerciale ou impression systématique est constitutive d'une infraction pénale. Toute copie ou impression de ce fichier doit contenir la présente mention de copyright. Article numérisé dans le cadre du programme Numérisation de documents anciens mathématiques http://www.numdam.org/

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La clôture algébrique du corps des séries formelles

Benhissi¹

1995

Annales Mathématiques Blaise Pascal

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New jazz histories

Shipton

2010

JAZZ

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Perhaps the time is past to think in terms of a single synoptic history of jazz. However, by singling out ideas from the academic reviews of A New History of Jazz, it is possible to view it as not only (as History Today called it) an interlocking set of theses about the development of jazz, but as a series of starting points for further investigation. After addressing the ways in which the book could stimulate discussion in several areas of study, from issues of periodization to the mediating role of television and radio, and from an exploration of non-Anglophone writing on jazz to reassessing the careers of such individual musicians as John Coltrane and Miles Davis, the article turns to oral history. In particular it addresses the way that instead of being approached as individual sources, a collective body of oral histories can become a far more useful resource, able to enlighten and stimulate the history and historiography of jazz by providing several viewpoints, several opinions and several challenges to key moments in the music’s history.

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With Louis and the Duke

Cited by 2 publications

References 0 publications

La clôture algébrique du corps des séries formelles

La clôture algébrique du corps des séries formelles

New jazz histories

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