2010
DOI: 10.1177/0094306110386886p
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Who’s Your City?: How the Creative Economy is Making Where to Live the Most Important Decision of Your Life

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Cited by 25 publications
(46 citation statements)
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“…According to the latest figures from the United Nations Population Division (2021), 83% of the United States and 75% of European Union countries are urbanised. Within this, we can observe how the BENELUX countries -Belgium (98%), Netherlands (93%), Luxembourg (92%) -record much higher percentages; a reflection of the variously named Eurodelta / Am-Brus-Twerp megaregion of northwest Europe (Florida et al, 2009;Hall and Pain, 2006). If megaregion formation is driven by urbanisation, today, the focus is firmly on China.…”
Section: Introduction: a Golden 'Age Of Megaregions'?mentioning
confidence: 93%
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“…According to the latest figures from the United Nations Population Division (2021), 83% of the United States and 75% of European Union countries are urbanised. Within this, we can observe how the BENELUX countries -Belgium (98%), Netherlands (93%), Luxembourg (92%) -record much higher percentages; a reflection of the variously named Eurodelta / Am-Brus-Twerp megaregion of northwest Europe (Florida et al, 2009;Hall and Pain, 2006). If megaregion formation is driven by urbanisation, today, the focus is firmly on China.…”
Section: Introduction: a Golden 'Age Of Megaregions'?mentioning
confidence: 93%
“…From Geddes (1915) to Gottmann (1964), though to Faludi (Faludi & Waterhout, 2002) and Florida et al (2009), the history of megaregions in urban planning is strong. And yet, one of the criticisms of contemporary megaregional research is that research all too often forgets this history.…”
Section: Megaregions' With the Temporal 'Age Of Megaregions'mentioning
confidence: 99%
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“…From an industry cluster perspective, medium and large cities often play an essential role as resource hub, involving both creativity and entrepreneurial and management skills and resources (Lorenzen & Frederiksen, 2008), which can facilitate cultural production and innovation in arts and cultural organizations through (1) knowledge spillovers from neighboring or "related variety" industries (Browning, 2005;Frenken et al, 2007); (2) positive externalities to reduce the costs of contracts, transactions and coordination (Lorenzen & Frederiksen, 2008); and (3) the provision of a conducive climate to attract creative talent and foster a creative class (Florida, 2002). In other words, the closer to big cities where the creative community is located (Florida, 2008), the more likely it is that arts and cultural organizations will be engaged in innovation.…”
Section: Meso-level Factorsmentioning
confidence: 99%