2008
DOI: 10.1162/leon.2008.41.5.536
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Who's Afraid of Picasso's Tie, or Do You See the Catch in Hypothetical Art?

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Cited by 7 publications
(3 citation statements)
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“…1) in Danto's The Transfiguration of the Commonplace. 37 Le Cravat, which first led me into the research of hypothetical art, 38 is representative of one such species. Its characteristic is that the imagined artwork is fictional but the proposed artist is real (in this case, Picasso).…”
Section: Species Artis Hypotheticae 31mentioning
confidence: 99%
See 1 more Smart Citation
“…1) in Danto's The Transfiguration of the Commonplace. 37 Le Cravat, which first led me into the research of hypothetical art, 38 is representative of one such species. Its characteristic is that the imagined artwork is fictional but the proposed artist is real (in this case, Picasso).…”
Section: Species Artis Hypotheticae 31mentioning
confidence: 99%
“…In previous writings, I have introduced a concept of a hypothetical art, which I have defined as a mental creation of an art philosopher, intended to attract a reader to become fictionally involved in an art issue. 1 However, further research has led me to recognise the dual role of hypothetical art, one in the philosophy of art and one in contemporary art practice. 2 The intention of the present paper is to delve into this issue.…”
Section: Introductionmentioning
confidence: 99%
“…A hypothetical artwork is an artwork that exists only as a fictional creation of an art theorist (Selan, 2008(Selan, , 2010. Usually it is introduced into the text by the linguistic assertion of supposition; for example, by the use of syntagms: »let us suppose, imagine that, etc.« Since the hypothetical artwork has no life outside the hypothetical world of a particular art theory, its intention is not to fascinate but to explicate.…”
Section: Introduction: the Curious World Of Hypothetical Artmentioning
confidence: 99%