Who Feels at Home? Whiteness and the Politics of Belonging in the Flemish Soap Opera<i>Thuis</i>

Knoetze, Hannelie Marx

doi:10.1080/02560046.2018.1431684

Cited by 3 publications

(1 citation statement)

References 22 publications

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“…Soap operas emerged as one of the most popular genres on South African television and have received significant scholarly attention (Hannelie Marx Knoetze, 2004Knoetze, , 2015Hester Lockyear, 2004;Oluwayemisi Mary Onyenankeya et al 2020, 2022. More than other genres, it participates in the post-apartheid efforts of nation-building, while also highlighting lingering and/or emerging social problems.…”

Section: Edutainmentmentioning

confidence: 99%

Broadcasting change: An aerial overview of South African television debates in an age of constant transition

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2023

Critical Studies in Television: The International Journal of Te

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This aerial review concentrates on the development of the South African television industry as chronicled and analysed by scholarship. Academic reflections on the evolution of television are categorised into three main periods: First, the advent of South African television, second, the transitional period, and third, a period of stocktaking. The overview aims to provide readers with key academic discussions during these periods and the historical context within which they took shape. Looking at issues ranging from censorship, nation-building, restructuring and globalisation, to event television, edutainment programming and community TV, the South African television environment is shown to be in constant transition.

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Section: Edutainmentmentioning

confidence: 99%