2020
DOI: 10.1086/711143
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Where Will Dido Rest?

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Cited by 1 publication
(2 citation statements)
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“…Where Power focuses on Fielding's engagement with Aeneas, and his attempt to decouple associations between Aeneas' heroism and rakishness, Horejsi concentrates on its sympathetic re‐evaluation of Dido, which she sees as part of a broader trend in eighteenth‐century fiction. Both Horejsi and Charlotte Sussman (2020) have identified the legacy of sympathy for the abandoned women in Virgil's Dido and Aeneas in the numerous eighteenth‐century versions of the Inkle and Yarico fable. Leah Orr (2016) has shown that other authors sought to exonerate Aeneas from any accusations of perfidy in his departure from Carthage to Italy, which caused them to present Dido unsympathetically, as a comedic, emotionally incontinent figure who was entirely responsible for her death.…”
Section: Surveys and Overviewsmentioning
confidence: 99%
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“…Where Power focuses on Fielding's engagement with Aeneas, and his attempt to decouple associations between Aeneas' heroism and rakishness, Horejsi concentrates on its sympathetic re‐evaluation of Dido, which she sees as part of a broader trend in eighteenth‐century fiction. Both Horejsi and Charlotte Sussman (2020) have identified the legacy of sympathy for the abandoned women in Virgil's Dido and Aeneas in the numerous eighteenth‐century versions of the Inkle and Yarico fable. Leah Orr (2016) has shown that other authors sought to exonerate Aeneas from any accusations of perfidy in his departure from Carthage to Italy, which caused them to present Dido unsympathetically, as a comedic, emotionally incontinent figure who was entirely responsible for her death.…”
Section: Surveys and Overviewsmentioning
confidence: 99%
“…Horejsi and CharlotteSussman (2020) have identified the legacy of sympathy for the abandoned women in Virgil's Dido and Aeneas in the numerous eighteenth-century versions of the Inkle and Yarico fable. LeahOrr (2016) hasshown that other authors sought to exonerate Aeneas from any accusations of perfidy in his departure from Carthage to Italy, which caused them to present Dido unsympathetically, as a comedic, emotionally incontinent figure who was entirely responsible for her death.Classical epic poets besides Homer and Virgil have for the most part been considered in the context of translations by canonical English poets.…”
mentioning
confidence: 99%