Where's the "Public" in Public Art. Three Narratives from documenta 14

Abstract

This paper analyses five public art projects exhibited in documenta 14 in Athens in 2017 that redefine and interact with the public space and therefore, form three different narratives on public space. These narratives are outlined according to the different interpretations of ‘public space’, ‘public sphere’ and democracy by the various artists. Our argument is structured as follows; firstly, we present an analysis of public art and its basic features drawing from contemporary literature. Secondly, we provide a number of key facts regarding documenta and documenta 14, outlining the main reasons we selected it as a reference point. Thirdly, we describe the three narratives about public space that we came up with after our field research and interviews with the respective artists: Sanja Iveković, Joar Nango, Rasheed Araeen, Mattin and Rick Lowe. We then discuss the relations between them and develop a model that unravels the way artists explore the public domain, look for locations, and redefine public space and the lived experience in the city. To do so, we engage with theoretical approaches as well as elaborations on specific artworks that engage the shifts and changes of the lived urban experience through art.

Making With Place

“…Such socially-engaged arts are increasingly exploring and theorising spaces, places, and landscapes as culturally constructed and contested (Badham, 2010;Helguera, 2011;Rose, 1997). Community arts, in public space, can inform how we create, investigate, and make place through the arts (Bourgault, 2022;Liodaki & Velegrakis, 2020;Loveless, 2019). Place and space are closely-related, intertwined ideas (Carter et al, 1993).…”