Ethical foodscapes?: premises, promises, and possibilities That food is good to`think' as much as eat, is most certainly true. Yet, it is even more true that`good' food is even better to both think and feel with (and sometimes eat) at the moment, particularly in an era of food scares, continuing poverty, a supposed obesity crisis', debates concerning food (in)security and food sovereignty, and environmental degradation. In short, the good food`revolution'öfrom foods defined variously as healthy, low-carbon, fairly traded, local, organic, free-range, cruelty-free, natural and/or slowöhas no doubt come to a supermarket shelf, farm shop, TV set, book store, magazine rack, or even a kitchen table near you. In this, especially given the rise of celebrity chefs and their desire to help us cook everything from haute cuisine to something simply quick and tasty, good food has also become good to watch, read about, and sometimes even perform in one's own kitchen. Watching what we eat (Collins, 2009) is no longer simply about dieting, but is a full-time spectator sport that is as much about`eater-tainment' and increasing the fortunes of branded celebrity chefs as it is about cooking a meal and bringing good food to the masses.But then again,`bad ' food is also good to think about and watch. Indeed, bad food has spawned a growing media industry that is much beyond the relatively tame investigative journalist-type expose¨s of the industrial food systems which make up part of Freidberg's (2004)`ethical complex of food'. Here, the success of`non-eatertainment'öin the form of movies such as