When Does Globalization Lead to Local Adaptation? The Emergence of Hybrid Islamic Schools in Turkey, 1985–2007

Çakmaklı, Anıl Divarcı; Boone, Christophe; Witteloostuijn, A. van

doi:10.1086/691347

Cited by 15 publications

(7 citation statements)

References 89 publications

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“…Cultural globalization is a distinct social process that could perpetuate aesthetic conflicts. As a source of cultural change, cultural globalization introduces new cultural elements into existing fields by spreading symbols and values (Lechner and Boli 2014: 8;Tugal 2017;Çakmaklı et al 2017;Jijon 2017).…”

Section: Cultural Globalization Changes Of Conventions and Aesthetic ...mentioning

confidence: 99%

“…This process is called the expressive isomorphism (see Regev 2013: 31) of cultural production amid globalization. This kind of change results in a situation in which the local ("indigenous") and global ("exotic") elements of conventions eventually coexist within the same art world (Giuffre 2009;Franssen and Kuipers 2013;Motherway 2013;Karadeir-Hazir 2014;Çakmaklı et al 2017).…”

Section: Cultural Globalization Changes Of Conventions and Aesthetic ...mentioning

confidence: 99%

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When the local encounters the global: aesthetic conflicts in the Chinese traditional music world

2022

J. Chin. Sociol.

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Through a case study of the Chinese traditional music world, this study explores how artists in different specializations within an art world working on an indigenous art form make sense of divergent aesthetics. By adopting both Becker’s (Art worlds: 25th anniversary edition, updated and expanded, University of California Press, Berkeley, 2008) view of art worlds as substantially existing communities shared by artistic individuals and Bourdieu’s (Poetics 12(4–5):311–356, 1983) emphasis on artistic divergences stemming from broader social structures, I build a theoretical framework regarding how implicit aesthetic conflicts coexist with explicit collaborations in an art world. Under the impact of cultural globalization, the Chinese traditional music world’s conventions have experienced a historical revolution. Since then, music performers enact frames to defend the aesthetics that they consider “traditional” that emphasize stability in terms of the musical content but that have highly idiosyncratic styles of performance. However, other types of musicians—namely those involved in composing, conducting, theoretical research—are more likely to enact frames defending aesthetics that express a willingness to “Westernize” based on their understandings and emphasize on innovation in terms of musical content and systematic and routinized styles of performance. Their framings shape their different reactions to their art world’s conventions. By analyzing this process, I show how local–global dynamics constitute aesthetic conflicts in an art world that is often considered highly local and traditional.

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Section: Cultural Globalization Changes Of Conventions and Aesthetic ...mentioning

confidence: 99%

Section: Cultural Globalization Changes Of Conventions and Aesthetic ...mentioning

confidence: 99%

When the local encounters the global: aesthetic conflicts in the Chinese traditional music world

2022

J. Chin. Sociol.

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“…These measures are particularly relevant when examining the hypotheses concerning both the overall effects of globalization and each of its major dimensions. The KOF Index is commonly used to assess the effects of each dimension of globalization on various outcomes [113][114][115][116]. Second, the KOF Index has been calculated for more than 200 countries since 1970, a time perceived by many researchers as the beginning of globalization in a modern sense [22].…”

Section: Countriesmentioning

confidence: 99%

“…Second, the KOF Index has been calculated for more than 200 countries since 1970, a time perceived by many researchers as the beginning of globalization in a modern sense [22]. Finally, this index is widely acknowledged in social science research (see, for example, [113][114][115][116][117][118][119]). These studies use the KOF Index to evaluate the level of globalization on a wide range of topics, which suggests the KOF Index is a valid and reliable measure of globalization.…”

Section: Countriesmentioning

confidence: 99%

Environmental Homogenization or Heterogenization? The Effects of Globalization on Carbon Dioxide Emissions, 1970–2014

et al. 2019

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Globalization significantly influences climate change. Ecological modernization theory and world polity theory suggest that globalization reduces carbon dioxide emissions worldwide by facilitating economic, political, social, and cultural homogenization, whereas ecological unequal exchange theory indicates that cumulative economic and political disparities lead to an uneven distribution of emissions in developed and less developed countries. This study addresses this controversy and systematically investigates the extent to which different dimensions of globalization influence carbon emissions in developed and less developed countries by treating globalization as a dynamic historical process involving economic, political, and social/cultural dimensions in a long-term, cross-national context. Drawing on data for 137 countries from 1970 to 2014, we find that while globalization, social and cultural globalization in particular, has enabled developed countries to significantly decrease their carbon emissions, it has led to more emissions in less developed countries, lending support to the ecological unequal exchange theory. Consistent with world polity theory, international political integration has contributed to carbon reductions over time. We highlight the internal tension between environmental conservation and degradation in a globalizing world and discuss the opportunities for less developed countries to reduce emissions.

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“…The existing theory cannot therefore explain the industrial resurgence in mature industries (Box, 2017). Informed by recent writings on mutualistic and competitive mechanisms from community ecology theory (Zhou and van Witteloostuijn, 2010;Çakmaklı et al, 2017;2020;Boone et al, 2018;García-Díaz et al, 2020;Liu and van Witteloostuijn, 2020), we define the interacting populations in the community that affect an organizational population as a symbiotic organizational population and as a competitive organizational population. Network platforms benefit from related symbiotic industries because symbiotic populations contribute symbiotic energy and resources to platform-based organizational populations.…”

Section: Introductionmentioning

confidence: 99%

Modelling the network economy: A population ecology perspective on network dynamics

Peng

Cornelissen

2021

Technovation

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When Does Globalization Lead to Local Adaptation? The Emergence of Hybrid Islamic Schools in Turkey, 1985–2007

Cited by 15 publications

References 89 publications

When the local encounters the global: aesthetic conflicts in the Chinese traditional music world

When the local encounters the global: aesthetic conflicts in the Chinese traditional music world

Environmental Homogenization or Heterogenization? The Effects of Globalization on Carbon Dioxide Emissions, 1970–2014

Modelling the network economy: A population ecology perspective on network dynamics

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