Learning to Teach Music in the Secondary School 2016
DOI: 10.4324/9781315621203-6
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What is a music curriculum?

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Cited by 8 publications
(8 citation statements)
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“…The music curriculum is an important part of culture and education. Music is committed to developing the humanistic, aesthetic and practical aspects of students, which are interconnected and correspond to each other [4]. The humanistic aspect of music brings pleasure to students learning tedious knowledge, when the aesthetic aspect can relieve exhaustion after long hours of book learning, most often through listening to music.…”
Section: Music Curriculum and Impacts On Studentsmentioning
confidence: 99%
“…The music curriculum is an important part of culture and education. Music is committed to developing the humanistic, aesthetic and practical aspects of students, which are interconnected and correspond to each other [4]. The humanistic aspect of music brings pleasure to students learning tedious knowledge, when the aesthetic aspect can relieve exhaustion after long hours of book learning, most often through listening to music.…”
Section: Music Curriculum and Impacts On Studentsmentioning
confidence: 99%
“…The music curriculum does not just serve as a template document to guide teachers (Cooke & Spruce, 2016). Philpott and Wright (2012) point out that the links between teaching, learning and curriculum content are complex and multifaceted.…”
Section: Music Curriculummentioning
confidence: 99%
“…And what is most worth learning (Regelski, 2003)? Emerging music curricula require teachers to teach, discuss, and construct knowledge with students, and require teachers to reflect critically (Cooke & Spruce, 2016). Register (2001) states that the music curriculum includes several activities, particularly the four areas of listening, performing, responding and composing.…”
Section: Music Curriculummentioning
confidence: 99%
“…Although there are some links here between curriculum as perceived and received, also known as the planned and received curriculum (Kelly, 2009), there remain areas of curriculum vacuum for the interpretation and realisation of Music curricula. Music's multi‐dimensional nature which enhances “lived curriculum experience” (Cooke & Spruce, 2016, p. 79) and music's presence and influence which Ofsted include in “enrichment activities…outside of the normal timetabled curriculum” (Ofsted, 2019, p. 28) are examples of such complexities. This means that it is problematic for music to be expressed in the straightforward tripartite form which Ofsted suggest.…”
Section: Introductionmentioning
confidence: 99%