2002
DOI: 10.1016/s0304-422x(02)00002-5
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What is a “cantautore?” Distinction and authorship in Italian (popular) music

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Cited by 35 publications
(17 citation statements)
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“…Researchers who have examined the formation of cultural fields have also pointed to the importance of intellectual discourse in the form of texts (Baumann 2001;Ferguson 1998;Santoro 2002). As Ferguson (1998:635) puts it, "in cultural fields, there is no getting around words."…”
Section: The Cultural Consecration Of Filmsmentioning
confidence: 99%
“…Researchers who have examined the formation of cultural fields have also pointed to the importance of intellectual discourse in the form of texts (Baumann 2001;Ferguson 1998;Santoro 2002). As Ferguson (1998:635) puts it, "in cultural fields, there is no getting around words."…”
Section: The Cultural Consecration Of Filmsmentioning
confidence: 99%
“…Cultural entrepreneurs, one type of intermediary, seek to shift the popular opinion, mobilizing their resources to convince others to adopt their worldview (Fine 2012), such as the core features of a genre. While the definition of a genre is often articulated well after it came into existence (Roy 2002; Santoro 2002; Dowd et al 2019), genre can be differentiated in the moment, coming into existence “when there is some consensus that a distinctive style of music is being performed” (Lena 2012:16; see also Schilt 2004 regarding Riot Grrrl). Meanings are negotiated as genres form, resulting in a broadly shared understanding that may change over time.…”
Section: Genre Trajectorymentioning
confidence: 99%
“…5. On cantutori and Canzone d'autore, see Fabbri (1989), Jachia (1998), Santoro (2002Santoro ( , 2006 and Fiori (2003). 6.…”
Section: Endnotesmentioning
confidence: 99%