Abstract:Unlike its archetypal cinematic relatives, the vampire, the werewolf, and even the mummy (the creature to which it is perhaps most indebted), the contemporary zombie has had a relatively short existence. Where early iterations of the cinematic zombie, in films such as Victor Halpernin's White Zombie (1932) and Jacques Torneur's I Walked like a Zombie (1943) were drawn from Haitian mythology and the undead slaves of voodoo tradition, contemporaneous depictions across popular media like 28 Days Later (2002), th… Show more
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