Creativity Policy, Partnerships and Practice in Education 2018
DOI: 10.1007/978-3-319-96725-7_2
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What Did Creative Partnerships Achieve?: A Review of the Creative Partnerships (CP) Research Archive

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Cited by 6 publications
(10 citation statements)
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“…In line with the interpretation by Egeland and Fallmyr (2010), improved BRI may reflect the necessities identified by Diamond (2014), that effective EFs training programs also help children to reduce stress, increase joy, make children feel they belong and improve physical fitness, i.e., in sum programs that not only will improve EFs and physical health, but also the children’s mental health (Diamond, 2014). This assumption coincides with the conclusions from a critical review of a similar creative arts/culture-based curricula interventions, highlighting the benefits for well-being, citizenship, work-related skills, and habits (Thomson et al, 2015). Thus, improved BRI in the intervention group may not only reflect less problems with behavioral regulation, but also, according to Egeland and Fallmyr (2010) improved emotional regulation skills, and better mental health.…”
Section: Discussionsupporting
confidence: 86%
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“…In line with the interpretation by Egeland and Fallmyr (2010), improved BRI may reflect the necessities identified by Diamond (2014), that effective EFs training programs also help children to reduce stress, increase joy, make children feel they belong and improve physical fitness, i.e., in sum programs that not only will improve EFs and physical health, but also the children’s mental health (Diamond, 2014). This assumption coincides with the conclusions from a critical review of a similar creative arts/culture-based curricula interventions, highlighting the benefits for well-being, citizenship, work-related skills, and habits (Thomson et al, 2015). Thus, improved BRI in the intervention group may not only reflect less problems with behavioral regulation, but also, according to Egeland and Fallmyr (2010) improved emotional regulation skills, and better mental health.…”
Section: Discussionsupporting
confidence: 86%
“…There is a possibility that the teachers involved in the intervention gradually altered their pedagogical practices to be more in accordance with AoL, so the prolonged effect may be directly related to the intervention. Such learning gains for teachers have also been reported from previous evaluations of other creative, arts and culture rich school curricula (Thomson et al, 2015).…”
Section: Discussionsupporting
confidence: 80%
“…Indeed, a number of policy programs and initiatives have been introduced in an effort to nurture creativity in school settings across various countries. Commensurately, there have been increasing calls to assess the impact of such interventions to provide evidence and inform the design of future policies and initiatives (Thomson, Coles, & Hallewell, 2018).…”
Section: Introductionmentioning
confidence: 99%
“…In this article, we respond to these calls by assessing the impact of one such policy program named Kreattiv , which was established in line with educational and cultural policy objectives in Malta, a European Union (EU) country. A government‐funded, arts‐based intervention aimed at supporting creativity projects in schools to complement the educational curriculum, Kreattiv involved collaborations between creative practitioners, educators and students in a manner similar to the UK’s Creative Partnerships program (2002–2011), erstwhile described as “the most ambitious, biggest and longest running arts education intervention in the world” (Thomson et al., 2018, p. 15). While a descriptive study was carried out on Kreattiv ’s first three years of operation (Briguglio & Debattista, 2017), no research has been published to date on the direct impact of Kreattiv on creativity itself.…”
Section: Introductionmentioning
confidence: 99%
“…Beghetto and Kaufman, 2007;Craft, 2014;Lin, 2011;Megalakai et al, 2012) and empirical work, including studies of teachers' and visiting specialists' classroom practices (e.g. Jeffrey and Woods, 2009;Craft et al, 2014;Galton, 2010; Thomson et al, 2018). Additionally, work has addressed teacher and learner orientations to 'creative teaching' and 'teaching for creativity' (Sefton Green et al, 2011).…”
Section: Introductionmentioning
confidence: 99%