Abstract:Studies of gender in John Lyly’s pastoral comedy Galatea (1592) have primarily focused on the queer potential of the female-to-male (FTM) crossdressing plot. While the critical focus on same-sex love and gender fluidity in the play has been evocative, it has understated the importance of hegemonic masculinity and biological gender determinism in the play. Neptune, Tityrus, and Melibeus, for example, reveal that their ways of being male are actually in competition with each other, quite inflexible, and closely … Show more
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