2018
DOI: 10.1017/s0026749x16000871
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‘What a Picture Can Do’: Contests of colonial mastery in photographs of Asian ‘houseboys’ from Southeast Asia and Northern Australia, 1880s–1920s

Abstract: The archives of colonial Southeast Asia and northern Australia contain hundreds of photographs of masterly white colonizers and their seemingly devoted Asian ‘houseboys’. This article analyses this rich photographic archive, drawing on examples from the Netherlands Indies, Singapore, Hong Kong, the Philippines, and the Northern Territory of Australia. It explores how photographs of ‘houseboys’ worked as a ‘visual culture’ of empire that was intended to illustrate and immortalize white colonial power, but that … Show more

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Cited by 2 publications
(1 citation statement)
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“…34 Numerous photographs of British and Dutch men wearing white suits appear in Claire Lowrie's exploration of the interconnected cultures of domestic service across Singapore, the Dutch East Indies and the Australian north in the late nineteenth and early twentieth centuries. 35 Since white garments and topis were recommended for racial reasons, it is not surprising that these items came to be regarded as badges of racial whiteness as well as of empire -all the more so because of the easy allusive slippage between white cloth and the so-called white race. In British India, the sola topi became so redolent of racial whiteness and mastery by the early 1900s that any Anglo-Indian not wearing one was regarded as a potential race traitor by their peers.…”
Section: The Dominant Forms and Meanings Of White Tropical Menswearmentioning
confidence: 99%
“…34 Numerous photographs of British and Dutch men wearing white suits appear in Claire Lowrie's exploration of the interconnected cultures of domestic service across Singapore, the Dutch East Indies and the Australian north in the late nineteenth and early twentieth centuries. 35 Since white garments and topis were recommended for racial reasons, it is not surprising that these items came to be regarded as badges of racial whiteness as well as of empire -all the more so because of the easy allusive slippage between white cloth and the so-called white race. In British India, the sola topi became so redolent of racial whiteness and mastery by the early 1900s that any Anglo-Indian not wearing one was regarded as a potential race traitor by their peers.…”
Section: The Dominant Forms and Meanings Of White Tropical Menswearmentioning
confidence: 99%