War Children: Using AR in a Documentary Context

Zimmer, Christian; Ratz, Nanette; Geiger, Christian

doi:10.1109/ismar-adjunct.2018.00112

Cited by 7 publications

(8 citation statements)

References 3 publications

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“…Other implementations use the TV screen to display additional content, such as InAir TV [32], LinkedCulture [53], and Audience Silhouettes [74]. Other scenarios do away with the conventional TV screen completely, and the mobile device represents the window to content that appears to be present in the living room [85] or outdoors [57,58]. HMDs have also been employed to augment the TV watching experience.…”

Section: Augmented Reality Televisionmentioning

confidence: 99%

The User Experience of Journeys in the Realm of Augmented Reality Television

Pamparău

Vatavu

2022

ACM International Conference on Interactive Media Experiences

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Augmented Reality Television (ARTV) can take many forms, from AR content displayed outside the TV frame to video-projected TV screens to social TV watching in VR to immersive holograms in the living room. While the user experience (UX) of individual forms of ARTV has been documented before, "journeys" as transitions between such forms have not. In this work, we examine the UX of watching TV when switching between various levels of augmentation. Our fndings from an experiment with fourteen participants reveal an UX characterized by high perceived usability, captivation, and involvement with a low to medium workload and a moderate feeling of dissociation from the physical world. We interpret our results in the context of Garrett's established fve-plane model of UX-strategy, scope, structure, skeleton, and surface-and propose a sixth plane, "switch, " which separates conceptually the design of user journeys in ARTV from the specifcs of the other UX planes. CCS CONCEPTS• Human-centered computing → Mixed / augmented reality; Empirical studies in HCI.

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Section: Augmented Reality Televisionmentioning

confidence: 99%

The User Experience of Journeys in the Realm of Augmented Reality Television

Pamparău

Vatavu

2022

ACM International Conference on Interactive Media Experiences

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“…The most widely addressed theme was enhancing a conventional TV viewing experience. Use-cases in this theme included using AR to deliver holographic content for a TV show (e.g., [13]), using AR to deliver virtual TV screens around a TV set (e.g., [3]), using AR to provide context for a TV set akin to a focus + context metaphor [4] (e.g., [14]), or using AR to replace the TV set and deliver content that appeared to be present in the living room (e.g., [31]).…”

Section: Augmented Reality Televisionmentioning

confidence: 99%

“…The works of Saeghe et al [23] and Vatavu et al [27] highlighted various ways in which researchers and content creators have attempted to combine AR with TV-a hybrid medium referred to as Augmented Reality Television (ARTV). These include, but are not limited to, using AR to extend the real estate of the TV screen (e.g., [12,14]); delivering story-related holographic artefacts for entertainment (e.g., [24]) and education (e.g., [22,29]); delivering synchronised sign language interpretation [28]; delivering additional virtual TV screens and providing advanced remote-control functionality for TV content (e.g., [3,26]); repurposing and delivering archived TV content based on viewers' context (e.g., [5,25]); bridging intergenerational gaps through playful interaction (e.g., [19]); and even replacing the 2-D TV screen completely by delivering content in an unframed way (e.g., [31]).…”

Section: Introductionmentioning

confidence: 99%

Evaluating and Updating a Design Space for Augmented Reality Television

Saeghe

McGill

Weir

et al. 2022

ACM International Conference on Interactive Media Experiences

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As Augmented Reality Television (ARTV) transitions out of the feasibility phase, it is crucial to understand the impact of design decisions on the viewers' ARTV experiences. In a previous study, six ARTV design dimensions were identified by relying on insights from existing prototypes. However, the set of possible dimensions is likely to be broader. Building on top of previous work, we create an ARTV design space and present it in a textual cheat sheet. We subsequently evaluate the cheat sheet in a between-subject study (n = 10), with participants with wide-ranging expertise. We identified six new dimensions (genre, broadcast mode, audience demographics, cartoonish vs. photoreal representation, modality, and privacy), and a new aspect (360 • ) for the display dimension. In light of our observations, we provide an updated ARTV design space and observe that asking participants to write ARTV scenarios can be an effective method for harvesting novel design dimensions. CCS CONCEPTS• Human-centered computing → Empirical studies in HCI.

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“…Over the past couple of decades, researchers and broadcasters have been investigating the ways in which AR can be used in the context of TV broadcasting (e.g., [6,[9][10][11][12]15]). Enhancing a conventional TV viewing experience was reported by Saeghe et al [7] as the most widely addressed theme in ARTV research, with use-cases including the provision of novel interaction techniques (e.g., [1]), extending the real estate of a TV screen (e.g., [2]), delivering programmerelated additional holograms in the viewing environment (e.g., [8]), delivering virtual TV screens around a TV set (e.g., [13]), or even replacing a TV set entirely (e.g., [16]).…”

Section: Augmented Reality Televisionmentioning

confidence: 99%

Augmenting a Nature Documentary with a Lifelike Hologram in Virtual Reality

Saeghe

Weir

McGill

et al. 2022

ACM International Conference on Interactive Media Experiences

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While augmented reality television (ARTV) is being investigated in research labs, the high cost of AR headsets makes it difcult for audiences to beneft from the research. However, the relative afordability of virtual reality (VR) headsets provides ARTV researchers with opportunities to test their prototypes in VR. Additionally, as VR becomes an acceptable medium for watching conventional TV, augmenting such viewing experiences in VR creates new opportunities. We prototype a nature documentary ARTV experience in VR and conduct a remote user study (n = 10) to investigate six points on the visual display design dimension of presenting a lifelike programme-related hologram. We manipulated the starting point and the movement behaviour of the hologram to gain insight into viewer preferences. Our fndings highlight the importance of personal preferences and that of the perceived role of a hologram in relation to the underlying TV content; suggesting there may not be a single way to augment a TV programme. Instead, creators may need to provide the audiences with capabilities to customise ARTV content.

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War Children: Using AR in a Documentary Context

Cited by 7 publications

References 3 publications

The User Experience of Journeys in the Realm of Augmented Reality Television

The User Experience of Journeys in the Realm of Augmented Reality Television

Evaluating and Updating a Design Space for Augmented Reality Television

Augmenting a Nature Documentary with a Lifelike Hologram in Virtual Reality

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