Abstract:Facts about real sites that Wallace Stevens knew well (some of them noted by no earlier critic) inform the deliberately "plain" poems of his final years. Stevens brought Connecticut into his works of art partly through his arrangements of grammar and sound, and partly through matters of regional lore and urban planning: the poems' view of public life includes the varied uses of public space. Regarding Connecticut as a place of abstraction, of "thin" colors and hard work, the late poems make southern New Englan… Show more
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