Relatively little scholarly attention has been paid to the performance and
2As theories of trauma and repetition might instruct us, it is not presence that appears in the syncopated time of citational performance but precisely (again) the missed encounter Ð the reverberations of the overlooked, the missed, the repressed, the seemingly forgottenÉ[P]erformance plays the Òsedimented actsÓ and spectral meanings that haunt material in constant collective interactionÉ 1